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Voyages and Visions
"A much-needed response to the expanding interest in the history of travel and travel writing, Voyages and Visions is the first attempt to sketch a cultural history of travel from the sixteenth century to the present day. The essays address the theme of travel as an historical, literary and imaginative process, focusing on significant episodes and encounters in world history. The contributors to the volume include historians of art and of science, anthropologists, literary critics and mainstream cultural historians. The subjects of their essays include European explorations of South America, India, Mexico and the South Seas; mountaineering in the Himalayas; science fiction; American post-war travel fiction; and space travel. Voyages and Visions is truly interdisciplinary; it is also essential reading for anyone interested in travel and travel literature."--Jacket.
Fight and Flight
There is no published collected criticism on Ron Berry. This is a unique selling point. Berry did not receive the critical acclaim he deserved in his lifetime. This is the first attempt to address this apparent neglect. Berry’s work is hugely relevant to the study of modern Wales, as it straddles the industrial and post-industrial period. His environmental writings and concerns were so progressive that they were perhaps wasted upon his original readership.
Memory and Latency in Contemporary Anglophone Literature
Up until fairly recently, memory used to be mainly considered within the frames of the nation and related mechanisms of group identity. Building on mechanisms of inclusion and exclusion, this form of memory focused on the event as a central category of meaning making. Taking its cue from a number of Anglophone novels, this book examines the indeterminate traces of memories in literary texts that are not overtly concerned with memory but still latently informed by the past. More concretely, it analyzes novels that do not directly address memories and do not focus on the event as a central meaning making category. Relegating memory to the realm of the latent, that is the not-directly-graspable...
Womanhoods and Equality in the United States
Womanhoods and Equality in the United States explores how the idea of equality has evolved along with the debates that have animated contemporary American women’s history. This book argues that “womanhood” is neither a unified concept nor a monolithic experience but rather a multifaceted notion. This collection thus looks at this plural dimension of womanhood—womanhoods—with a special focus on equality as a common goal. The authors question what equality means depending on many factors such as race, class, sexuality, education, marital or parental status, physical appearance, and political orientation, and address timely issues including abortion rights, Black womanhood, and sexual violence on college campuses. Womanhoods and Equality in the United States is an essential resource for academics and students in gender studies, American sociocultural history, and the sociology of social movements.
Benjamin Markovits
Benjamin Markovits is a leading Anglo-American novelist with a varied and ambitious body of work, ranging from a trilogy of historical fictions on the life of Lord Byron (Imposture, 2007; A Quiet Adjustment, 2008; Childish Loves, 2011) to an award-winning portrayal of a gentrification project in Obama-era Detroit (You Don’t Have to Live Like This, 2015) to intimate studies of contemporary family life (A Weekend in New York, 2018; Christmas in Austin, 2019). Prolific and unpredictable, Markovits is one of the most interesting realist writers working today. Featuring contributions from emerging and established scholars, this collection provides fresh perspectives on Markovits’s place in th...
Critical Forms
Critical Forms is an account of the generic forms in which literary criticism has been undertaken. It examines chiefly Anglophone literary criticism, with comparative discussion of French and German material, from around 1750 to the present and examines prefaces, selections and anthologies, reviews, lectures, dialogues, letters, and life-writing. Though not intended to be an exhaustive history of the period, Critical Forms begins in the mid-eighteenth century with the emergence of something like the forms (chiefly, the essay and the treatise) in which criticism is still predominantly practised. In order at least to complicate this predominance, the book documents an abiding plurality in the ...
The Cinema of Robert Altman
In a controversial and tumultuous filmmaking career that spanned nearly fifty years, Robert Altman mocked, subverted, or otherwise refashioned Hollywood narrative and genre conventions. Altman's idiosyncratic vision and propensity for formal experimentation resulted in an uneven body of work: some rank failures and intriguing near-misses, as well as a number of great films that are among the most influential works of New American Cinema. While Altman always professed to have nothing authoritative to say about the state of contemporary society, this volume surveys all of his major films in their sociohistorical context to reposition the director as a trenchant satirist and social critic of postmodern America, depicted as a lonely wasteland of fraudulent spectacle, exploitative social relations, and unfulfilled solitaries in search of elusive community.
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New Left Review
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Geranium
They are sometimes called storksbills and originated in South Africa. They may be star-shaped or funnel-shaped, and they range in color from white, pink, and orange-red to fuchsia and deep purple. The geranium and its many species, much loved and also much loathed, have developed since the seventeenth century into one of the most popular garden plants. In this book, Kasia Boddy tells the story of geranium’s seemingly inexorable rise, unearthing the role it has played in everything from plant-hunting and commercial cultivation to alternative medicine, the philanthropic imagination, and changing styles in horticultural fashion. Boddy shows how geraniums became the latest fad for wealthy coll...
