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Despite, or quite possibly because of, the structuralist, post-structuralist, and deconstructionist critiques of subjectivity, master signifiers, and political foundations, contemporary philosophy has been marked by a resurgence in interest in questions of subjectivity and the political. Guided by the contention that different conceptions of the political are, at least implicitly, committed to specific conceptions of subjectivity while different conceptions of subjectivity have different political implications, this collection brings together an international selection of scholars to explore these notions and their connection. Rather than privilege one approach or conception of the subjectiv...
Presenting the depiction of migration through a variety of cinematic outlets, this volume explores film's depiction of human displacement in different geographic circumstances and probes the reasons why cinema so frequently evokes a stereotype of in-transit people. Techniques of affect and distance are revealed in the contributors' close film studies of wide-ranging matter which include works by the Dardenne brothers, transnational video artists Ghazel and Bouchra Khalili, and studies of Syrian films at Western festivals. Migrants' Perspective, Migrants in Perspective: World Cinema deciphers the semiotics of migration and its representation in cinema, exploring both the complications of shooting a migrant subject, and the challenges of including the migrants' point of view.
In contemporary media cultures, media are part of the most important sites where collective representations and narrations of a post-migrant civic culture are (re-)negotiated. At the same time, they offer powerful resources and instruments for civic participation and collaboration. Media and Participation in Post-Migrant Societies addresses an important shortcoming in the research on participation in media cultures by introducing a special focus on post-migrant conditions to the discussion – both as conceptual refinements and as empirical studies. The contributions of this book provide diverse analyses of the conditions, possibilities, but also constraints for participation and the role of media communication in the reshaping of civic culture in post-migrant societies.
Spiritus flat ubi vult academicus. It seems evident that the study of antiquity and the study of antiquity’s persistence will continue to be distributed ubique terrarum. This pleasing circumstance was exemplified in January 2014, at the Adam Mickiewicz University in Poznań, an institution named after Poland’s influential nineteenth-century epic and lyric poet. As part of an ongoing series of such academic meetings, the university hosted the Seventh International Conference on Fantasy and Wonder. Its topic was Antiquity in Popular Literature and Culture. Several of the papers given in Poznań appear in this volume in revised form. They demonstrate the continuing presence of the past, or, to put it slightly differently, the importance of the past in the present and, by extension, for the future.
This is the first study to explore picturebooks of the Soviet Occupation Zone and the German Democratic Republic, analyzing them in the context of contemporary history, social and cultural developments and through a precise analysis of selected images and their context. By focusing on areas such as architecture and housing, consumer culture, traffic and transportation, including the iconic role of the Trabant, and the design of childhood, as seen in pioneer uniforms and institutions, the study identifies the unique blend of information about reality and socialist ideology typical of children's visual culture during this period. This specific combination was aimed at shaping children to become socialist personalities. The study thus demonstrates that pictorial representation and its textual integration are crucial for understanding childhood in the immediate post-war period and the German Democratic Republic.
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A journal of feminism and film theory.
This book is a contribution to a growing body of e-learning applications in archaeology and archaeological heritage. Its main aim is to discuss various facets of the Leonardo da Vinci project 'E-learning as a tool of knowledge transfer in the field of protection and management of archaeological heritage, ' completed in the years 2007-2009 by six European partners in the context of other undertakings in distance learning solutions in archaeology over the last few years. The project's explicit objective was to exchange the best practices and innovative solutions in the field of the archaeological heritage of northern Europe. In particular, its major purpose was to design, develop, test, assess...
This is a collection of twenty-one papers deriving from talks given at conferences of the European Association of Archaeologists in 1997 and 1998. The papers discuss specific issues and case studies involving questions of "cult" and religion in the pre- and protohistory of southeast Europe and the Mediterranean, looking at sites in Bulgaria, Romania, Croatia, Moravia, Italy and Greece, southern Russia and Iberia, amongst others. The papers have been divided into three thematic sections: Symbols of the Other World: Representation and Imagery; Sacred or Profane: Conceptions of Cult Places; and Life and Death: Interpreting Mortuary Practice. As the editors note, studying prehistoric religion is...