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Shakespeare Studies
SHAKESPEARE STUDIES is an international volume published every year in hard cover that contains essays and studies by critics and cultural historians from both hemispheres. Although the journal maintains a focus on the theatrical milieu of Shakespeare and his contemporaries, it is also concerned with Britain's intellectual and cultural connections to the continent, its socio-political history, and its place in the emerging globalism of the period. In addition to articles, the journal includes substantial reviews of significant publications dealing with these issues, as well as theoretical studies relevant to scholars of early modern literature. Volume XXXVIII features another in the journal'...
(Un)Doing History
Against the grain of much contemporary scholarship within medieval studies, this work emphasizes the radical alterity and historical rupture that the Middle Ages represents in European history. Through an engagement with three contentious debates in medieval studies – historiography, race and individuated subjectivity – Vanita Seth’s work employs postcolonial and postmodern theorizing to explore questions of ontology, epistemology, facial privileging, and emotion and identity in the European Middle Ages and early modern period. While the subject matter of this book is historical, the stakes are contemporary and political. Seth’s contention is that it is the very alterity that the med...
The Politics of Policy in Boys’ Education
An accessible and original look into the education policy of Australia that considers how it came about, how it was steered to the political right, how some educators struggled to implement or resist it in their schools and how it applies to other systems.
Emotions, Community, and Citizenship
Emotions, Community, and Citizenship is a pioneering work that brings together scholars from an array of disciplines in order to challenge and unite the disciplinary divides in the study of emotions.
Macbeth
This volume offers a wealth of critical analysis, supported with ample historical and bibliographical information about one of Shakespeare’s most enduringly popular and globally influential plays. Its eighteen new chapters represent a broad spectrum of current scholarly and interpretive approaches, from historicist criticism to performance theory to cultural studies. A substantial section addresses early modern themes, with attention to the protagonists and the discourses of politics, class, gender, the emotions, and the economy, along with discussions of significant ‘minor’ characters and less commonly examined textual passages. Further chapters scrutinize Macbeth’s performance, ada...
Love's Labour's Lost
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. Edited and introduced by William C. Carroll, this edition of Love's Labour Lost features a lively account of the play's performance history from 1632 to the present day. Stage and screen productions of the late twentieth century receive particular attention and a range of international performances are also explored. New trends in the scholarly criticism are discussed in the introduction, as are the play's sources and historical contexts. Carroll's text is freshly edited from the First Quarto, published in 1598, and presents a highly readable modernised edition of Love's Labour Lost; a play known for its unorthodox ending and extraordinary use of language.
Dead Hands
Dead Hands traces the fascinating career of a curious imaginative device: the wandering, disembodied, or ghostly hand. Dexterously threading historical, theoretical, and formalist questions, the author situates this familiar gothic convention in its rich literary and intellectual contexts, from early modern English drama through American fiction.
West Wales Historical Records
List of members.
