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The Business of Bobbysoxers
Through an examination of World War II era Frank Sinatra fan communities in the United States, The Business of Bobbysoxers considers celebrity following, fan behavior, and popular music culture as a window into the lives of wartime female youth.
Forgery in Musical Composition
We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition, Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s. Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past whi...
Swoon
From Frank Sinatra in the 1940s to Harry Styles in the 2020s, many of the biggest male stars in the world built their early careers on their romantic appeal to young women. The lovestruck teenager gazing at pictures of her idol in magazines or screaming in hordes at a concert is a stock character in the textbooks of fame. And yet no history book has, until now, told her story from the start. Swoon revisits six defining moments in book, film and music history to uncover the story of how the fangirl became the most enduring yet disdained icon of pop culture. From the Byromaniacs of Regency London to the screamers of Beatlemania, these women were tastemakers, visionaries and cultural disruptors...
Extending Play
Despite the hypervisibility of a constellation of female pop stars, the music business is structured around gender inequality. As a result, women in the music industry often seize on self-branding opportunities in fashion, cosmetics, food, and technology for the purposes of professional longevity. Extending Play examines the ubiquity of brand partnerships in the contemporary music industry through the lens of feminized labor, to demonstrate how female artists use them as a resource for artistic expression and to articulate forms of popular feminism through self-commodification. In this book, author Alyxandra Vesey examines this type of promotional work and examines its proliferation in the e...
White Screens, Black Dance
White Screens, Black Dance shows how several types of American masculinity were built through Black dance on mid-twentieth century film and television. It does so by analyzing case studies of major period stars, both Black and white: the Nicholas Brothers, Gene Kelly, Elvis Presley, and Sammy Davis, Jr. In the process, it also reveals the white stars' appropriation of Black culture through dance, which the author terms blackbodying. Both this practice and the midcentury models of masculinity that it describes are ultimately shown to remain with us today--on film, TV, and TikTok.
