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D.H. Lawrence and Italian Futurism
The significance of D. H. Lawrence’s reading of two Italian Futurist volumes in the summer of 1914 is widely acknowledged, but the nature of its significance has not been more closely examined, nor traced through his major fictional and discursive writings of the Great War and its aftermath. D. H. Lawrence and Italian Futurism addresses the oversight, firstly by examining the context to Lawrence’s now famous June 1914 letters concerning Futurism; secondly, by placing Futurism – and Lawrence’s interest in Futurism – in the light of the movement’s intellectual indebtedness to nineteenth-century Naturalism; and, thirdly, by providing new readings of The Rainbow, Women in Love and Studies in Classic American Literature which draw on these contextual materials. The book’s form will make it attractive to scholars and students of European modernism as well as to those interested in the works of D. H. Lawrence.
Edinburgh Companion to D. H. Lawrence and the Arts
Offers the most comprehensive assessment yet of Lawrence’s relationship with the arts Places Lawrence in the context of the latest developments in fields including life writing, posthumanism, queer theory, and technology studiesConsiders Lawrence's continued reception in other people's art, and the nature of his relevance todayThis book includes twenty-eight innovative chapters by specialists from across the arts, reassessing Lawrence’s relationship to aesthetic categories and specific art forms in their historical and critical contexts. A new picture of Lawrence as an artist emerges, expanding from traditional areas of enquiry in prose and poetry into the fields of drama, painting, scul...
Sons and Lovers: The Biography of a Novel
The book recounts the story of how Sons and Lovers was written, how Lawrence’s life was transformed during the writing, and the contributions of the women in his life to his work.
"Terra Incognita"
"'Terra Incognita': D.H. Lawrence at the Frontiers, edited by Virginia Crosswhite Hyde and Eari G. Ingersoll, is a collection of nine essays by scholars from five countries. They show ways in which Lawrence explored not only remote regions of the earth but also consciousness and human relations. The book also considers implications of terms like "frontier," "boundary," and "place." It gives readings that are the first to utilize new texts and research in the final prose volumes of the Cambridge Lawrence Edition. This includes all the essays Lawrence wrote in America about Southwestern and Mexican Indians (Mornings in Mexico and Other Essays, 2009). Writers are Michael Hollington, Judith Ruderman, Edina Pereira Crunfli, Tina Ferris, Virginia Crosswhite Hyde, Jack Stewart, Keith Cushman, Julianne New-mark, and Paul Poplawski. In addition to the essays, the book contains eight pages of color illustrations. It will interest both general readers and scholars of Lawrence and of twentieth-century literature"--Publisher's website.
Gypsies and the British Imagination, 1807-1930
Deborah Epstein Nord traces the nearly ubiquitous British preoccupation with Gypsies in imaginative works by John Clare, Walter Scott, William Wordsworth, George Eliot, Arthur Conan Doyle, and D. H. Lawrence. She also exhumes lesser-known literary, ethnographic, and historical texts, exploring the fascinating histories of the nomadic writer George Borrow, the Gypsy Lore Society, Dora Yates, and other rarely examined figures and institutions. These textual representations are characterized by a tension between Gypsies as an alien, often despised "race" and the psychic or aesthetic desire to dissolve the boundary between English and Gypsy worlds. Nord suggests that, by the beginning of the twentieth century, romantic identification with Gypsies hardened into caricature and served to obscure the realities of Gypsy life and history. This phenomenon is reflected most famously in The Virgin and the Gipsy, in which D. H. Lawrence both exploits and criticizes the myth of Gypsies' unfettered sensuality, closeness to nature, and opposition to the oppressive strictures of modern life.
The Critical Review
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