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The Making of a Medieval Bestseller
In 1277, Rabbi Isaac of Corbeil produced a concise work of accessible religious law. This handbook, 'Amudei Golah (Pillars of Exile), began as a list of religious commandments (mitzvot) meant to be recited weekly. It was divided into seven 'pillars', drawn primarily from the limbs of the human body and its activities (heart, hand, mouth, monetary transactions, etc), and dealt exclusively with laws relevant to Jews living in the Diaspora in medieval times. This handbook of religious law, written in Hebrew, became the most widespread book of its kind during the late Middle Ages within the various French- and German-speaking Jewish communities known as Ashkenaz. Nearly two hundred medieval copi...
The Materiality of Terracotta Sculpture in Early Modern Europe
Through meticulously researched case studies, this book explores the materiality of terracotta sculpture in early modern Europe. Chapters present a broad geographical perspective showcasing examples of modelling, firing, painting, and gilding of clay in Portugal, Spain, Italy, Germany, and the Netherlands. The volume considers known artworks by celebrated artists, such as Luca della Robbia, Andrea del Verrocchio, Filipe Hodart, or Hans Reichle, in parallel with several lesser-studied terracotta sculptures and tin-glazed earthenware made by anonymous artisans. This book challenges arbitrary distinctions into the fine art and the applied arts, that obscured the image of artistic production in the early modern world. The centrality of clay in the creative processes of artists working with two- and three-dimensional artefacts comes to the fore. The role of terracotta figures in religious practices, as well as processes of material substitutions or mimesis, confirm the medium’s significance for European visual and material culture in general. This book will be of interest to scholars working in art history, Renaissance studies, and material culture.
Library Lin's Curated Collection of Superlative Nonfiction
Trust a librarian to help you find books you’ll want to read Library Lin’s Curated Collection of Superlative Nonfiction is a librarian’s A-list of nonfiction books organized by subject area—just like a library. Linda Maxie (Library Lin) combed through 65 best books lists going back a century. She reviewed tens of thousands of books, sorted them according to the Dewey Decimal Classification system, and selected an entire library’s worth for you to browse without leaving home. Here you’ll find • Summaries of outstanding titles in every subject • Suggestions for locating reading material specific to your needs and interests In this broad survey of all the nonfiction categories, you will find titles on everything from the A-bomb to Zen Buddhism. You might find yourself immersed in whole subject areas that you never thought you’d be interested in.
Blanks, Print, Space, and Void in English Renaissance Literature
"This book is an inquiry into blank or empty spaces in primarily English printed books in the period c. 1500 - c. 1700, as well as in Renaissance culture more generally. The book concentrates on the "substrate" -- the background of any printed work - which is often held to be empty or blank space. These spaces are also considered as "gaps" (where text or images are constructed as missing, lost, withheld, or perhaps never devised in the first place). The topics discussed include: space and silence; emptiness and absence; the vacuum; "race" and racial identity; blackness and whiteness, together with lightness, darkness, and sightlessness; cartography and emptiness; the effect of typography on ...
Billy Apple®: Life/Work
Billy Apple (born Barrie Bates in Auckland, 1935) is New Zealand's most internationally significant living artist and a pioneer of pop and conceptual art. At the Royal College of Art in London from 1959–62, Apple studied with key contemporaries—notably David Hockney—and staged one of the earliest solo exhibitions in the new 'pop' art after changing his name, in 1962, to 'Billy Apple.' In 1964 he moved to New York. There, he worked as an art director, developed his art, exhibited extensively with leading artists (notably in the 1964 American Supermarket exhibition with Andy Warhol, Jasper Johns, and others), and established one of the first alternative art spaces—'Apple'—which hoste...
Art for the Millions
American art in the 1930s—intertwined with the political, social, and economic tumult of an era not so unlike our own—engaged with the public amid global upheaval. This publication examines the search for artistic identity in the United States from the stock market crash of 1929 that began the Great Depression to the closure of the Works Progress Administration in 1943 with a focus on the unprecedented dissemination of art and ideas brought about by new technology and government programs. During this time of civil, economic, and social unrest, artists transmitted political ideas and propaganda through a wide range of media, including paintings and sculptures, but also journals, prints, t...
Annual Report
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Locating Sol LeWitt
A revelatory consideration of the wide-ranging practice of one of the most influential American artists of the 20th century A pioneer of minimalism and conceptual art, Sol LeWitt (1928–2007) is best known for his monumental wall drawings. LeWitt’s broad artistic practice, however, also included sculpture, printmaking, photography, artist’s books, drawings, gouaches, and folded and ripped paper works. From the familiar to the underappreciated aspects of LeWitt’s oeuvre, this book examines the ways that his art was multidisciplinary, humorous, philosophical, and even religious. Locating Sol LeWitt contains nine new essays that explore the artist’s work across media and address topics...
Making The Met, 1870–2020 (1st revised edition)
Published to celebrate The Metropolitan Museum of Art’s 150th anniversary, Making The Met, 1870–2020 examines the institution’s evolution from an idea—that art can inspire anyone who has access to it—to one of the most beloved global collections in the world. Focusing on key transformational moments, this richly illustrated book provides insight into the visionary figures and events that led The Met in new directions. Among the many topics explored are the impact of momentous acquisitions, the central importance of education and accessibility, the collaboration that resulted from international excavations, the Museum’s role in preserving cultural heritage, and its interaction with contemporary art and artists. Complementing this fascinating history are more than two hundred works that changed the very way we look at art, as well as rarely seen archival and behind-the-scenes images. In the final chapter, Met Director Max Hollein offers a meditation on evolving approaches to collecting art from around the world, strategies for reaching new and diverse audiences, and the role of museums today.
