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This book presents two major critical reorientations, developing new positions on James Joyce and Jacques Derrida by reading them together within a shared modernity. It places these readings in relation to each other through a conceptual history of maximalism and minimalism, situating literature, philosophy and the history of aesthetics within the context of the closure of metaphysics. Through this revised reading of Joyce, Joycean Minimalism, Derridean Maximalism resituates the reception and periodisation of modernism. It also argues that the configuration of modernism and deconstruction it develops demonstrates a shared austerity - one that is located in a mutual philosophical inquiry into self-presence between literature and deconstruction. Overall, Maria-Daniella Dick highlights the contemporaneity of deconstruction in the age of postcritique.
The Edinburgh Companion to Don DeLillo and the Arts is the first book to provide a comprehensive study of Don DeLillo's career-long engagements with the visual, literary, digital and televisual, performing, filmic, and spatial arts. Gathering original essays from a diverse range of international contributors, including established voices in DeLillo criticism and emerging experts, the volume forges new paths in the study of one of the greatest authors of the twentieth and twenty-first centuries. Beginning with a section dedicated to experiential and political aesthetics in DeLillo's work, the Companion offers new perspectives on the forms and functions of the arts across DeLillo's entire oeuvre-from his first novel Americana, through his plays, essays, short stories, to his latest novel, The Silence. This exciting Companion is a genuine intervention in DeLillo scholarship by offering an interdisciplinary examination of his work across forms, media, method, and theory.
This volume was first published by Inter-Disciplinary Press in 2015. Mankind’s fascination with the Apocalypse is not new. Starting from the Hindu notions of Kali Yuga to 2012 Phenomenon, Apocalypse has been a part of our lives in the form of a cultural formation, natural threat, fictional entity, ideological construct, political fear or catastrophic end. Apocalyptic discourses underline how one culture perceives and reflects pain, trauma, loss and fear as well as indicating the ability to face and get ready for disaster. This inter-disciplinary and academic study aims to discuss the end of the world in multiple contexts where the popularity of apocalypse always reigns. In the scope of this work, readers will see the multi-dimensional nature of the Apocalypse referring more to progress rather than end or beginning, an in-between situation, a becoming, a formation; local yet global phenomenon; a product of fantasy plus a constructed reality; both an object of consumption and life consuming mechanism, an ideological presence in the absence of larger meta-narratives.
Theorizes the development of a minimalist mode in American fiction since 1970, frequently seen to interrogate US postmodernity. Minimalism and Affect in American Literature, 1970-2020 responds to existing studies of literary minimalism by pursuing three original and interrelated objectives. It provides a more inclusive and precise definition of minimalism that enables further inquiry into the mode. It also exposes the presence of minimalism beyond critical demarcations that attempt to limit the aesthetic to a particular school, medium, movement, form or decade. Finally, it argues that writers of American literary minimalism are uniquely privileged in their ability to formalize precarity and ...
Taking as key examples work by Don DeLillo, Leslie Marmon Silko, Roberto Bolaño, and Karen Tei Yamashita, this book looks at engagements with encyclopaedic thought and practice in contemporary fiction. Chapters provide important new insights into the new ways that authors approach, reclaim, and use 'totality'-as a method for approaching the contemporary, rather than an object to be represented. In this, we find some of the most radical and challenging attempts in recent fiction to reimagine our world on the back of a contested history and in the face of an unstable future. Where major studies of literary encyclopaedism have historically tended to draw from the canon, this book looks to move beyond this tradition, and pays particular attention to work from Indigenous, Asian American, and Latin American contexts. In doing so, it looks to address the challenges of reading world literature in the contemporary.
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Vol. 1 (1880/81); v. 2 (1882/83); v. 3 (1884/85); v. 4 (1887/88); v. 5 (1889/90); v. 6 (1891/92); v. 7 (1892/93); v. 8 (1895/96); v. 9 (1897/98); v. 10 (1899/1900); v. 11 (1901/02); v. 12 (1903/04); v. 13 (1905/06); v. 14 (1908/09); v. 15 (1910/11); v. 16 (1912/13); v. 17 (1914/15); v. 18 (1916/17); v. 19 (1918/19); v. 20 (1922/23).