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A Garden of Medieval Minds The medieval period was a time of greats: great courage, great words, great light, and great darkness. The writers, philosophers, and artists of the time still touch and influence our lives today. This volume celebrates these masterpieces that merged the physical and the spiritual into meaningful, incandescent truth. Contributors: C.M. Alvarez: “Death, Grief, & Hope in Pearl” on progressing through grief as illustrated in the Gawain poet’s medieval poem Pearl. Donald W. Catchings, Jr.: “The Dream of the Crown,” a medieval inspired poem on the piercing of Christ’s brow and “Chronological Snobbery: In Reply to Contemporary Petrarchs” on valuing the pa...
J.R.R. Tolkien was the British author who fired the imagination of a generation with his beloved works: The Hobbit and The Lord of the Rings. In this collection of essays, short stories, and poems, we explore the magic of Tolkien’s works that defined high fantasy and illustrate the underlying Christian themes that are so essential to the joy his work brings. Contributors: C.M. Alvarez: "Melchizedek, Bombadil, and the Numinous in The Lord of the Rings," an essay on the parallels between the mysterious figures found in the Bible and The Lord of the Rings and what they represent. Donald W. Catchings, Jr.: "The Hero from Bagshot Row," a poem dedicated to the heroism of Sam in The Lord of the R...
The Power of Imagination Our imaginations are often treated as relics of our childhood. We are told to grow up and leave that sense of awe and wonder behind. What if these modernistic tendencies were entirely wrong? What if we were meant to live enchanted lives, seeing the world with the joy and amazement? This collection of essays, stories, and poems is meant to explore the power of the imagination and its unique connection to our human nature. Contributors "Imagination and Its Role in Faith" by C.M. Alvarez. An essay on how imagination open the mind to faith. "We Have Sinned and Grown Old: A Reflection on Imagination and Motherhood" by Nicole Howe. An essay on the innocence of youthful won...
What is it about a story that has the power to change a person, through a person a society, and through a society the world? It is that through story and the faculty of imagination, we connect and engage with something outside of ourselves. We can see through a lens not our own and experience circumstances not ours. This issue explores the role story plays in imaginative apologetics, explaining the Christian truth, through a collection of both essays an stories. CONTRIBUTORS Annie Crawford: “Literary Apologetics: A Spell for the Refreshment of the Spirit” on why stories matter. Rebekah Valerius: “Hume in Elfland.” A short story on an imagined meeting between G. K. Chesterton and Davi...
When Michael Ward's Planet Narnia emerged a decade ago, myriad things were pulled into its orbit: The immense gravitational force altered the field of C.S. Lewis studies, to be sure, but the discovery's scope stretched far into the worlds of literary criticism, Christian apologetics, and the arts. Only now, after ten years under its influence, have we begun to consider the magnitude of Planet Narnia's effects, and perhaps it is best to begin such an index by cultivating a jovial atmosphere of appreciation. Thus we curated this issue to celebrate both Dr. Ward and his stellar work. Photography: Lancia E. Smith Illustrations: Virginia de la Lastra Artwork: Ryan Grube. Contributors: Adam L. Bra...
Whether we consider the digitally created and manipulated faces of Hollywood cinema or the social media filters, face apps, and surveillance software of everyday life, reading face language has become the seemingly endless task of humans and machines alike. Recent facial controversies - from politicians in blackface to "e;deep fakes,"e; casting debates, and facial data collection-- have made clear the need for a broader understanding of the face on screen and its varied techniques and effects. This book will consider the screen face from a variety of perspectives, across time periods and media, bringing together essays on topics ranging from early cinema to contemporary digital media - from photogenie to facial recognition, celebrity culture to digital creatures. It explores how screen culture builds on and complicates our urge to search the face for answers to our most intractable questions.
This book bridges the existing gap between film sound and film music studies by bringing together scholars from both disciplines who challenge the constraints of their subject areas by thinking about integrated approaches to the soundtrack. As the boundaries between scoring and sound design in contemporary cinema have become increasingly blurred, both film music and film sound studies have responded by expanding their range of topics and the scope of their analysis beyond those traditionally addressed. The running theme of the book is the disintegration of boundaries, which permeates discussions about industry, labour, technology, aesthetics and audiovisual spectatorship. The collaborative nature of screen media is addressed not only in scholarly chapters but also through interviews with key practitioners that include sound recordists, sound designers, composers, orchestrators and music supervisors who honed their skills on films, TV programmes, video games, commercials and music videos.
Accompanying DVDs (directed by Ted Newsome; produced by 2HeadedHorse) contain interviews, biomentary, and skate videos.