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Henrik Ibsen's plays have long beguiled philosophically-oriented readers. From Nietzsche to Adorno to Cavell, philosophers have drawn inspiration from Ibsen. But what of Ibsen's own philosophical orientation? As part of larger European movements to reinvent drama, Ibsen and fellow playwrights grappled with contemporary philosophy. Philosophy of drama found a central place with figures such as Gotthold Ephraim Lessing and Johann Gottfried Herder, but reached its mature form, in Ibsen's time, in the works of G.W.F. Hegel and Friedrich Nietzsche. Kristin Gjesdal reveals the centrality of philosophy of theater in nineteenth-century philosophy and shows how drama, as an art form, offers insight i...
Too frightened of scandal to become involved with a brilliant writer, Hedda Gabler opts instead for a conventional but loveless marriage. But, when her first love returns with a masterpiece that might threaten her husband's career, Hedda decides to take drastic and fatal action. Universally condemned in 1890 when it was written, Hedda Gabler has subsequently become one of Ibsen's most performed and studied plays. Blending comedy and tragedy, Ibsen probes the thwarted aspirations and hidden anxieties of his characters against a backdrop of contemporary social Habits and hypocrisies. This Methuen Drama Student Edition is published with Michael Meyer's classic translation, and with commentary and notes by Dr. Sophie Duncan. These offer a contemporary lens on the play's gender politics, and consider some key twentieth and twenty-first century productions of Hedda Gabler, which include actresses like Maggie Smith, Harriet Walker, and Ruth Wilson taking on the iconic titular role.
The volume provides clear and comprehensive coverage of the main methodological debates and approaches within philosophy. The book gives equal weight to analytical and continental approaches, and pays attention to approaches that are often overlooked.
Debates in Nineteenth-Century European & Philosophy offers an engaging and in-depth introduction to the philosophical questions raised by this rich and far reaching period in the history of philosophy. Throughout thirty chapters (organized around fifteen individual philosophers), the volume surveys the intellectual contributions of European philosophy in the Nineteenth Century, but it also engages the on-going debates about how these contributions can and should be understood. As such, the volume provides both an overview of Nineteenth-Century European philosophy and an introduction to contemporary scholarship in this field.
Spinoza in Germany presents fifteen newly commissioned essays by a distinguished set of international experts examining the legacy and influence of Spinoza on German thought in the long nineteenth century. The focus on Spinoza's influence illuminates both the nature of his philosophical contribution, as well as novel aspects of the philosophical lineage from idealism to Marxism, psychoanalysis, and beyond. The chapters are at the cutting edge of research on modern German thought, not only concerning canonical figures like Herder, Kant, and Marx, but also thinkers whose importance has since been neglected such as Salomon Maimon and Lou Salomé.
Kantian Dignity and its Difficulties defends Kant's doctrine that all human beings have a moral capacity that gives them unconditional dignity. It explains how the reception of this influential doctrine was marred by serious misunderstandings, and how Kant himself fell prey to prejudices inconsistent with the doctrine. The works of J.G. Herder and Richard Price are discussed as providing an important supplement for, and parallel to, what is best in Kant. Thomas Mann's work is then discussed as a paradigmatic example of a transition from a chauvinist reading--influenced by the terrible but highly popular interpretation of Kant by Houston Stewart Chamberlain--to an enlightened understanding of...
A unique insight into the relationship between Brahms's music and his philosophical and literary context from a modernist perspective.
The philosophy of Hans-Georg Gadamer interests a wide audience that spans the traditional distinction between European (continental) and Anglo-American (analytic) philosophy. Yet one of the most important and complex aspects of his work - his engagement with German Idealism - has received comparatively little attention. In this book, Kristin Gjesdal uses a close analysis and critical investigation of Gadamer's Truth and Method (1960) to show that his engagement with Kant, Hegel, and Schleiermacher is integral to his conception of hermeneutics. She argues that a failure to engage with this aspect of Gadamer's philosophy leads to a misunderstanding of the most pressing problem of post-Heideggerian hermeneutics: the tension between the commitment to the self-criticism of reason, on the one hand, and the turn towards the meaning-constituting authority of tradition, on the other. Her study provides an illuminating assessment of both the merits and the limitations of Gadamer's thought.
This book offers new perspectives on the historical origins and contemporary challenges of modern hermeneutics through a detailed exploration of Herder's Enlightenment philosophy.
Since its publication in 1890, Ibsen's 'Hedda Gabler' has been a recurring point of fascination for readers, theatre audiences, and artists alike. Newly married, yet utterly bored, the character of Hedda Gabler evokes reflection on beauty, love, passion, death, nihilism, identity, and a host of other topics of an existential nature. It is no surprise that Ibsen's work has gained the attention of philosophically-minded readers from Nietzsche, Lou Andreas-Salomé, and Freud, to Adorno, Cavell, and beyond. Once staged at avant-garde theatres in Paris, London, and Berlin, Ibsen is now a global phenomenon. The enigmatic character of Hedda Gabler remains intriguing to generations of actors, audiences, and readers. 'Hedda Gabler' occupies a privileged place in the history of European drama and as a work of literature, and, as this volume demonstrates, invites profound and worthwhile philosophical questions.