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Twentieth-Century British Authors and the Rise of Opera in Britain
  • Language: en
  • Pages: 154

Twentieth-Century British Authors and the Rise of Opera in Britain

This book is the first to examine in depth the contributions of major British authors such as W. H. Auden and E. M. Forster, as critics and librettists, to the rise of British opera in the twentieth century. The perceived literary values of British authors, as much as the musical innovations of British composers, informed the aesthetic development of British opera. Indeed, British opera emerged as a simultaneously literary and musical project. Too often, operatic adaptations are compared superficially to their original sources. This is a particular problem for British opera, which has become increasingly defined artistically by the literary sophistication of its narrative sources. The resulting collaborations between literary figures and composers have crucial implications for the development of both opera and literature. Twentieth-Century British Authors and the Rise of Opera in Britain reveals the importance of this literary involvement in operatic adaptation to literature and literary studies, to music and musicology, and to cultural and theoretical studies.

T. S. Eliot and Organicism
  • Language: en
  • Pages: 232

T. S. Eliot and Organicism

This book reads T. S. Eliot’s poetry and plays in light of his sustained preoccupation with organicism. It demonstrates that Eliot’s environmental concerns emerged as a notable theme in his literary works from his early poetry notebook of poems known as Inventions of the March Hare at least until Murder in the Cathedral.

Verse Drama in England, 1900-2015
  • Language: en
  • Pages: 305

Verse Drama in England, 1900-2015

Verse Drama in England, 1900-2015 provides a critical and historical exploration of a tradition of modern dramatic creativity that has received very little scholarly attention. Exploring the emergence of a distinctly modern verse drama at the turn of the century and its development into the twenty-first, it counters common assumptions that the form is a marginal, fundamentally outdated curiosity. Through an examination of the extensive and diverse engagement of literary and theatrical writers, directors and musicians, Irene Morra identifies in modern verse drama a consistent and often prominent attempt to expand upon, revitalize, and redefine the contemporary English stage. Dramatists discus...

Letters of T. S. Eliot Volume 10: 1942–1944
  • Language: en
  • Pages: 1173

Letters of T. S. Eliot Volume 10: 1942–1944

'What is accomplished by this sort of cultural warfare is impossible to say: but it [is] a part of total warfare which one must, as an individual, accept one's part in.' At the height of the Second World War, T. S. Eliot commits himself to fighting for the cultural values of Europe. He goes on a lecture tour of Sweden; he writes talks for the BBC; he reads poems for the Czechoslovak Centre, for 'Aid to Russia' and for the 'French in Britain Fund'. He lectures on 'The Music of Poetry' in Glasgow; addresses the Classical Association; talks at the 'Moot', and visits organisations including the Anglo-Swedish Society and the British-Norwegian Institute; and he works for the Christian News-Letter....

The Letters of T. S. Eliot Volume 9
  • Language: en
  • Pages: 1041

The Letters of T. S. Eliot Volume 9

This volume covers the production of Eliot's play The Family Reunion; the publication of The Idea of a Christian Society; and the joyous versifying of Old Possum's Book of Practical Cats. After exhausting himself through nights of fire-watching in the London wartime blackout, he travels the country, attends meetings of The Moot, delivers talks, and advises a fresh generation of writers including Cyril Connolly, Keith Douglas, Kathleen Raine and Vernon Watkins. Major correspondents include W. H. Auden, George Barker, William Empson, Geoffrey Faber, John Hayward, James Laughlin, Hope Mirrlees, Mervyn Peake, Ezra Pound, Michael Roberts, Stephen Spender, Tambimuttu, Allen Tate, Michael Tippett, Charles Williams and Virginia Woolf. Four Quartets, Eliot's culminating masterpiece, is discussed in detail.

Colin Wilson, the First Fifty Years
  • Language: en
  • Pages: 524

Colin Wilson, the First Fifty Years

  • Type: Book
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  • Published: 2006
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  • Publisher: Unknown

Published to coincide with the 50th anniversary of 'The Outsider', this comprehensive, annotated bibliography of primary and secondary sources has been fully revised and updated, incorporating an author chronology and an exhaustive index. Aimed at scholars, collectors and fans worldwide it also includes details of non-English translations of Wilson's work.

The British National Bibliography
  • Language: en
  • Pages: 1778

The British National Bibliography

  • Type: Book
  • -
  • Published: 1999
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  • Publisher: Unknown

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The Columbia Encyclopedia of Modern Drama
  • Language: en
  • Pages: 868

The Columbia Encyclopedia of Modern Drama

  • Type: Book
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  • Published: 2007
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  • Publisher: Unknown

"The Columbia Encyclopedia of Modern Drama covers the period from 1860 to the present. ... The distinctive feature of this encyclopedia is the emphasis it places on the cultural context of dramatic works and their authors."--Preface.

House & Garden
  • Language: en
  • Pages: 1234

House & Garden

  • Type: Book
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  • Published: 2005
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  • Publisher: Unknown

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Selvedge
  • Language: en
  • Pages: 416

Selvedge

  • Type: Book
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  • Published: 2004
  • -
  • Publisher: Unknown

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