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"Traditions in Contact and Change" was the theme of the fourteenth quinquennial congress of the International Association for the History of Religions. This selection from 450 papers by scholars form all over the world address the theme. Section One, "Indian Traditions and Western Interactions," treats subjects ranging from the flood story in Vedic ritual to a s study of the women of the Nehru family. Section Two, "Buddhist, Chinese, and Japanese Studies," includes discussions of the origin of the Mahayana, William James and Japanese Buddhism, and lyrical imagery and religious content in Japanese art. Section Three, "Mediterranean Cultures," covers a broad range of topics, from foster childr...
According to the contributors to this volume, the relationship of Buddhism and the arts in Japan is less the rendering of Buddhist philosophical ideas through artistic imagery than it is the development of concepts and expressions in a virtually inseparable unity. By challenging those who consider religion to be the primary phenomenon and art the secondary arena for the apprehension of religious meanings, these essays reveal the collapse of other dichotomies as well. Touching on works produced at every social level, they explore a fascinating set of connections within Japanese culture and move to re-envision such usual distinctions as religion and art, sacred and secular, Buddhism and Shinto...
As the popularity of film grew and audiences demanded longer stories, Hollywood began borrowing plots as well as actors and directors from Broadway—some of these play-to-films were triumphs and others were inexplicable duds. This reference work is an annotated guide to American stage productions remade for film and television, with works ranging from late 19th–century American plays and musicals, through silent and sound films, to made-for-video productions by PBS, A&E, HBO, and others. Each alphabetically listed entry provides complete credits for the play or musical: date, theatre, playwright, cast (with characters) and crew, length of run, along with choreographer, song titles, and au...
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The Yugyo-ha achieved success by basing its religious authority on a combination of Pure Land mysticism and the practices of fundraising hijiri. Between 1300 and 1700, the Pure Land Buddhist religious order known as the Ippen school Yugyo-ha (later the Jishu) established itself as the leading representative of nembutsu propagation in Japan. The theme of the order s history is the development of religious authority as a result of the struggle to normalize relations among the official head, sometimes obstreperous religious, and often interfering (usually warrior) lay patrons. This study demonstrates the value of the articulation in organizational studies of Weber s concept of charisma as a successful social relationship as well as that of a chosen career determined by culture and tradition. Indeed, the success of the Yugyo-ha was due to its ability to seize on the advantages of combining the principles and practices of two existing traditions, Pure Land mysticism and the fundraising hijiri movement."
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