You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
In fiction, you-narratives written in the last decade across the world parody the form of second-person address found in advertising, self-help and 'how-to' books while anticipating shame and culpability. To establish the significance of affect, this book returns to second-person narrative theory's neglected origins in the theory of autobiography. This book examines the use of you across media: novels and memoirs by Paul Auster, Carmen Maria Machado, Alejandro Zambra, Vendela Vida, Christine Angot, Clarice Lispector, Charles Yu, and Caleb Azumah Nelson; poems by Claudia Rankine and Phoebe Waller-Bridge's play and television series Fleabag (2016-19). These texts are brought into dialogue with narratology, philosophy, literary criticism and critical race theory to illustrate how the second-person pronoun's capacity to address the real-world reader inevitably renders such narratives a site for political and ethical contestation.
This volume aims to stretch the boundaries of text and discourse linguistics, exploring organization and structuring in discourse across a variety of communication forms, from written to spoken to visual, in old and new media. It presents a collection of case studies ranging in focus from the micro-level discourse functions of pronouns and emojis, to the macro-level structure of online interaction, all from their different perspectives drawing inspiration from the notion of text as structure and process. In a world of proliferating media and discourse types, the papers collected here reflect the latest scholarship in text and discourse studies, highlighting the value of combining multiple approaches and suggesting future directions and possibilities for research. Structures in Discourse will be of interest to students and researchers in pragmatics, discourse analysis, media studies and digitally mediated communication.
This original volume provides the first state-of-the-art overview of research on pronouns in the 21st century. With its dedicated sections on grammar, history, and change, language learning/acquisition, cognition and comprehension, power, politics, and identity, The Routledge Handbook of Pronouns shows that contemporary interest in pronouns and gender represents just the tip of the iceberg. Led by Laura Paterson, a transdisciplinary collection of experts discuss the global history of different pronoun systems, synthesize the literature, and contextualize the salient issues and current debates shaping research on pronouns across different spheres and via different theoretical-methodological t...
Über einen geschlechtergerechten Sprachgebrauch wird in Deutschland nun schon seit über 40 Jahren diskutiert. In Folge der Verbreitung gegenderter Formen (Wählende) und grascher Sonderzeichen (Dozent*in) ist der Ton der Debatte deutlich rauer geworden; die beiden ,Lager' stehen sich inzwischen nahezu unversöhnlich gegenüber und reden nicht selten aneinander vorbei. Dieser Sammelband vereint Beiträge zu elf europäischen Sprachen, in denen sprachgeschichtliche Aspekte und die gegenwärtige Debatte so wertneutral wie möglich und unter Vermeidung von Polemik behandelt werden. Ziel des Bandes ist es, Denkanstöße zum komplexen Verhältnis zwischen Genus und Geschlecht zu bieten und auf diese Weise zu einer gelasseneren und respektvolleren Debatte beizutragen. Einen Einstieg in das Thema bietet der erste Beitrag zum Gendern in der Antike; es folgen Untersuchungen zu den Sprachen Deutsch, Englisch, Niederländisch, Norwegisch, Schwedisch, Französisch, Italienisch, Spanisch, Russisch, Tschechisch und Finnisch.
This volume explores English Studies from the perspective of linguistics and applied linguistics. By examining developments within their selected topics, the authors of these 18 chapters provide a broad overview of English Studies as related to their specific points of interest. Topics range from the well-established, such as negation, grammaticalization, and the role of culture in learning English, to those that are currently being revisited or are considered relatively new, such as corpus analysis, English as a lingua franca, and third language acquisition. The chapters reflect a modern approach to linguistic and applied linguistic phenomena, including diachronic and synchronic perspectives, as well as quantitative and qualitative research paradigms. English Studies as practiced at the English Department in Zagreb during the last 80 years, the anniversary of which instigated the invitation of contributions for this collection, are presented here as a vibrant field, characterized by dynamics and complexities that introduce novel ideas, and help us embrace emerging aspects of more established concepts.
Fictional TV politics played a pivotal role in the popular imaginaries of the 2010s across cultures. Examining this curious phenomenon, Sebastian Naumann provides a wide-ranging analysis of the rapidly evolving landscape of contemporary polit-series. Proposing a novel structural model of serial television, he offers an innovative methodological framework for comparative textual analysis that integrates sociocultural, economic, sociotechnical, narratological, and aesthetic perspectives. This study furthermore explores how the changing affordances of (nonlinear) television impact serial storytelling and identifies key narrative trends and recurring themes in contemporary TV polit-fiction.
None
L'euphémisme a toujours existé. Chez les anciens, il revêtait une importance capitale et permettait ainsi d'éviter la mention d'une idée qui était signe de mauvais présage. La notion de tabou qui sous-entend souvent l'euphémisme, et la notion connexe de politiquement-correct trouvent tout naturellement leur place dans cet ouvrage, ainsi que tous les phénomènes participant d'une visée euphémique.
This edited book seeks to bridge a gap in the existing literature on nouns, by exploring the exact relationship between their formal and semantic characteristics. The introductory chapter offers a thorough state of the art on the morphosyntactic and semantic angles in definitions of nouns, provides evidence of misalignments between morphosyntactic and semantic features, and argues that a multi-criterial angle is in fact inherent in the definition of the class of nouns. The following chapters bring together a representative cross-section of international-level research on the morphosyntax/semantics interface for nouns, covering a wide variety of languages from French-based creoles, German and...