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Trauma and Survival in Contemporary Fiction
"... approach ... attempts to make readers sensitive to the ways trauma can be manifested in narrative; Duras and Morrison have most remarkably incorporated dissociative symptoms and fragmented identity and memory into their narrative voices." ; "... [other] writers ... who have also developed fictional techniques to express [trauma] ... include Edwidge Danticat, Jamaica Kincaid, Dorothy Allison, Larry Heinemann, and Pat Barker."--Preface, p. x-xi.
Bearing Witness to Trauma: An Analysis of Reader Empathy in Garrard Conley's Autobiographical Memoir "Boy Erased"
Seminar paper from the year 2020 in the subject American Studies, grade: 1,7, University of Paderborn (Fakultät für Kulturwissenschaften), course: American Trauma Narratives, language: English, abstract: Boy Erased can be read as a trauma narrative with a special focus on the trauma narrative's function of creating reader empathy described by Laurie Vickroy. Therefore, this paper argues that Boy Erased offers the narrative strategies of the first-person point of view, interior monologues, foregrounding, and providing insight views into another character's thoughts and feelings to fulfill the trauma narrative function of creating reader empathy. To prove this thesis, the paper's content is ...
Reading Trauma Narratives
As part of the contemporary reassessment of trauma that goes beyond Freudian psychoanalysis, Laurie Vickroy theorizes trauma in the context of psychological, literary, and cultural criticism. Focusing on novels by Margaret Atwood, William Faulkner, Toni Morrison, Jeanette Winterson, and Chuck Palahniuk, she shows how these writers try to enlarge our understanding of the relationship between individual traumas and the social forces of injustice, oppression, and objectification. Further, she argues, their work provides striking examples of how the devastating effects of trauma—whether sexual, socioeconomic, or racial—on individual personality can be depicted in narrative. Vickroy offers a ...
The Problems of ethnic female Adolescents as portrayed in Toni Morrison's "The Bluest Eye", Maxine Hong Kingston's "The Woman Warrior", Sandra Cisneros' "The House on Mango Street"
Inhaltsangabe:Abstract: African-American, Chinese-American and Mexican-American female adolescents are representatives of minority groups in the United States. The three groups of ethnic girls were assigned derogative stereotypes by many Euro-American writers who did not portray their characters authentically. The modern female ethnic authors undertake the battle with stereotypes that are the main source of girls problems. They attempt to convince the reader that the lives of young girls cannot be interpreted according to offending images imposed on them. This thesis aims to draw attention to the problems encountered by female ethnic adolescents in Toni Morrison s The Bluest Eye (1970), Maxi...
Cultural Melancholia: US Trauma Discourses Before and After 9/11
In Cultural Melancholia: US Trauma Discourses Before and After 9/11, Christina Cavedon frames her examination of 9/11 fiction, especially Jay McInerney’s The Good Life and Don DeLillo’s Falling Man, with a thorough discussion of what US reactions to the terrorist attacks of September 11, 2001 disclose about American culture. Offering a comparative reading of pre- and post-9/11 literary, public, and academic discourses, she deconstructs the still commonly held belief that cultural repercussions of the attacks primarily testify to a cultural trauma in the wake of the collectively witnessed media event. She innovatively re-interprets discourses to be symptomatic of a malaise which had afflicted American culture already prior to 9/11 and can best be approached with melancholia as an analytical concept.
Darkness Subverted
At the heart of the Gothic novel proper lies the discursive binary of »self« and »other«, which in colonial literature was quickly filled with representations of the colonial master and his indigenous subject. Contemporary black Australian artists have usurped this colonial Gothic discourse, torn it to pieces, and finally transformed it into an Aboriginal Gothic.This study first develops the theoretical concept of an Aboriginal Gothic and then uses this term as a tool to analyse novels by Vivienne Cleven, Mudrooroo, Kim Scott, Sam Watson, and Alexis Wright as well as films directed by Beck Cole and Tracey Moffatt. It centres on the question of how a genuinely European mode, the Gothic, can be permeated and thus digested by elements of indigenous Australian culture in order to portray the current situation of Aboriginal Australians and to celebrate a recovered cultural identity.
Zadie Smith and Postcolonial Trauma
This monograph analyses Zadie Smith’s White Teeth, On Beauty, NW, The Embassy of Cambodia, and Swing Time as trauma fictions that reveal the social, cultural, historical, and political facets of trauma. Starting with Smith’s humorous critique of psychoanalysis and her definition of original trauma, this volume explores Smith’s challenge of Western theories of trauma and coping, and how her narratives expose the insidiousness of (post)colonial suffering and unbelonging. This book then explores transgenerational trauma, the tensions between remembering and forgetting, multidirectional memory, and the possibilities of the ambiguities and contradictions of the postcolonial and diasporic characters Smith depicts. This analysis discloses Smith’s effort to ethically redefine trauma theory from a postcolonial and decolonial standpoint, reiterates the need to acknowledge and work through colonial histories and postcolonial forms of oppression, and critically reflects on our roles as witnesses of suffering in global times.
The Oxford Handbook of Jeremiah
"This essay provides an overview of the book of Jeremiah, its historical background, distinctive literary character, language of trauma and resilience, dominant ideologies, and the state of 20th and 21st century Jeremian scholarship. It concludes with an explanation of the goals and structure of the Handbook"--
Agency in The Hunger Games
For 21st-century young adults struggling for personal autonomy in a society that often demands compliance, the bestselling trilogy, The Hunger Games remains palpably relevant despite its futuristic setting. For Suzanne Collins' characters, personal agency involves not only the physical battle of controlling one's body but also one's response to such influences as morality, trauma, power and hope. The author explores personal agency through in-depth examinations of the lives of Katniss, Peeta, Gale, Haymitch, Cinna, Primrose, and others, and through an analysis of themes like the overabundance of bodily imagery, social expectations in the Capitol, and problem parental figures. Readers will discover their own "dandelion of hope" through the examples set out by Collins' characters, who prove over and over that human agency is always attainable.
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