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An heir to the throne, a gorgeous blonde lady-in-waiting, the king’s trusted advisor. When a father and son don’t understand each other, the son pays an outrageous price. Love, jealousy, loyalty, and revenge roil the court of 14th century Portugal. In this engrossing launch to the Queens of Portugal trilogy, Catherine Mathis gives a fresh take on the tale of Pedro and Inês, Portugal’s real-life Romeo and Juliet. Pedro’s father would not have been king if not for his trusted advisor, Gonçalves. Once king, he wants no part in neighboring Castile’s royal convulsions though his son, Pedro, befriends powerful Castilians. The all-consuming drive of the king is to ensure his line rules ...
Portuguese is the second most spoken Romance language in the world, and due to recent interest in comparative syntax, the literature on its syntax has increased exponentially, resulting in exciting discoveries of a range of aspects that have hitherto been overlooked. This book provides a theoretically grounded overview of the major syntactic properties of Portuguese, focusing on the differences between European and Brazilian Portuguese. It shows from a theoretical point of view how different syntactic properties are interconnected by comparing and contrasting the variances between pronominal and agreement systems, null subjects, null complements, and word order. It also highlights how small differences in the specification of syntactic properties may yield quite different dialects. It introduces key theoretical points without technical jargon, making the content accessible to specialist and non-specialists alike. It is essential reading for both academic researchers and students of Portuguese language, comparative syntax, Romance linguistics, and theoretical syntax.
Quarterly accession lists; beginning with Apr. 1893, the bulletin is limited to "subject lists, special bibliographies, and reprints or facsimiles of original documents, prints and manuscripts in the Library," the accessions being recorded in a separate classified list, Jan.-Apr. 1893, a weekly bulletin Apr. 1893-Apr. 1894, as well as a classified list of later accessions in the last number published of the bulletin itself (Jan. 1896)
This is a compilation of contributions to the study of the Portuguese playwright Gil Vicente (1465–1536) which appeared between 2005 and 2015. Entries are grouped under three main headings: Editions and Adaptations, Translations, and Critical Studies. The scholarly interest in the father of the Portuguese theater continues unabated, as it can be seen in the great numbers of scholarly works, both editorial and critical, which appeared in the decade under question. The modest aim of this work is to alert scholars as to which of Gil Vicente’s works have not received adequate critical attention. New names are constantly added to the list of established vicentistas and new ways of looking at the dramatist’s works are introduced.
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