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How do digital media (mobile phones, GPS, iPods, portable computers, internet, virtual realities, etc.) affect the way we perceive, inhabit and design space? Why do architects traditionally design, draw and map the visual, as opposed to other types of sensations of space (the sound, the smell, the texture, etc.)? Architecture is not only about the solid, material elements of space; it is also about the invisible, immaterial, intangible elements of space. This book examines the design, representation and reception of the ephemeral in architecture. It discusses how architects map and examine the spatial qualities that these elements create and questions whether - and if so, how - they take the...
This book displays and dissects the career and design motives of graphic designer Joost Grootens. In a systematic fashion it charts the first 100 books designed by Grootens over the past ten years. In the first chapter, '10 years', Grootens uses timelines, lists and graphs to map the course of his career as a designer, the people he worked with and the places where the work took place. In '100 books', the designer dissects his book designs. He details the grids, formats, paper stocks, colours and typefaces, and charts the books' structures and compositions. '18,788 pages' shows at actual size a selection of spreads from books designed by Grootens, including the internationally acclaimed atlases. In the text 'I swear I use no art at all' Joost Grootens gives a personal account of making books and the ideas behind his designs.
The relationship between soil and water is at the center of interest now more than ever. Despite being a UNESCO World Heritage Site of extraordinary environmental value and beauty, the Wadden Sea, its territories, and its people now face an uncertain future while wrestling with latent climatic, economic-productive, and social crises. Subsidence increased by gas extraction and peat oxidation, soil erosion, saltwater intrusion, eutrophication, and agricultural water pollution testify to a territory in the throes of long-term repossession by the sea. Can we (co)design the Wadden Sea landscapes? How can we transform these emergencies into opportunities? Based upon applied research work in regional scenario-making and local design projects, the book attempts to imagine the present and future of the Wadden Sea and its hinterland adopting (co)designing approaches. Peatlands, agriculture, energy, and heritage all intersect to encourage economies and social inclusion projects where the landscapes of soil and water become the driving force to overcome the crises.
As ecology becomes the new engineering, the projection of landscape as infrastructure—the contemporary alignment of the disciplines of landscape architecture, civil engineering, and urban planning— has become pressing. Predominant challenges facing urban regions and territories today—including shifting climates, material flows, and population mobilities, are addressed and strategized here. Responding to the under-performance of master planning and over-exertion of technological systems at the end of twentieth century, this book argues for the strategic design of "infrastructural ecologies," describing a synthetic landscape of living, biophysical systems that operate as urban infrastruc...
"This is a Ph.D. thesis. For centuries, architects have used design precedents in the conception of new design solutions. Whether explicitly - as in the case of Le Corbusier, James Stirling and Jo Coenen - or implicitly - as with J.J.P. Oud, Aldo van Eyk, "
How should Hong Kong be represented? This question found an answer through Concrete Jungle / The Parrot's Tale, a large-scale installation by MAP Office for the 2007 Venice Biennale. Beginning with a steamy, mist-filled island, roughly in the shape of Hong Kong and constructed in the courtyard of the Hong Kong Pavilion, that was covered in oyster shells and inhabited by fake talking parrots, the work problematized the act of representation itself. This volume is an extension of MAP's Venice project and includes documentation of the complex process behind the fabrication of this much-talked-about artwork. Critical dialogues with Beijing artist Ai Weiwei complete the picture.
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Dimensions is the annual, student-produced journal of architecture at the University of Michigan. It seeks to contribute to the critical discourse of architectural education by documenting the most compelling work produced by its students, faculty, fellows, and visiting lecturers.