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How are David Lynch's films as much in dialogue with literary and musical traditions as they are cinematic ones? By interrogating this question, David Lynch's American Dreamscape broadens the interpretive horizons of Lynch's filmography, calling for a new approach to Lynch's films that goes beyond cinema and visual art to explore how Lynch's work engages with literary and musical works that have shaped the American imagination. As much as Lynch stands as a singular artistic voice, his work arises from and taps into the cultural zeitgeist in a way that illuminates not only his approach to creativity but also the way works interact with each other in an age of mass media. From children's liter...
Tracking down traces at such filming locations as Snoqualmie, Washington - where the hit television series "Twin Peaks" (1990) was shot - and London, England, scene of The Elephant Man (1980). Kaleta also conducted revealing interviews, including a conversation with a Philadelphia art school connection and the director of the London Hospital Museum, for insights into the strange mind and perception of the filmmaker. Probing astutely into the techniques that make Lynch's.
An in-depth, richly illustrated exploration of the work and life of cinema and TV's greatest cult creator. Without David Lynch, our world would have been a much more ordinary place. As a filmmaker, screenwriter, designer, musician, visual artist and living avatar of all things uncanny, his influence pervaded every corner of our culture. Alongside his game-changing TV series "Twin Peaks", Lynch also created big-screen masterpieces such as his DIY debut "Eraserhead" and unconventional mystery thrillers "Blue Velvet", "Lost Highway" and "Mulholland Drive". But Lynch was also a cult figure in his own right, releasing albums under his own name, staging art shows, photography exhibitions and design showcases from LA to Milan, and sharing his spiritual philosophy and love of Transcendental Meditation with audiences around the globe. Published in a lavish, slip-cased edition, David Lynch: His Work, His World covers all aspects of this truly eclectic output while also exploring Lynch's many influences to tell the full story of how he worked, created, thought and lived.
This book distinguishes itself from earlier books on David Lynch by taking in-depth consideration of his entire oeuvre. Besides his films and the Twin Peaks series, David Lynch: Blurred Boundaries includes discussions of Lynch’s paintings and drawings, music videos, commercials, short experimental works, digital projects on the YouTube channel David Lynch Theater and the Internet documentary The Interview Project, as well as the exhibition The Air is on Fire, which Jerslev regards as one of Lynch’s main works. David Lynch: Blurred Boundaries offers a view of Lynch’s total work, in which one medium or genre is no more important than the other. It discusses the ways in which Lynch has worked throughout his career with different art forms and has right from the start experimented with the blurring of boundaries between media and genres. And it discusses ways Lynch creates atmospheres by different audio-visual and visual means.
This collection convenes diverse analyses of David Lynch's newly conceived, dreamlike neo-noir representations of the American West, a first in studies of regionalism and indigeneity in his films. Twelve essays and three interviews address Lynch's image of the American West and its impact on the genre. Fans and scholars of David Lynch's work will find a study of his interpretations of the West as place and myth, spanning from his first feature film, Eraserhead (1977), through the third season of Twin Peaks in 2017. Symbols of the West in Lynch's work can be as obvious as an Odessa, Texas street sign or as subtle as the visual themes rooted in indigenous artistry. Explorations of cowboy masculinity, violence, modern frontier narratives and representations of indigeneity are all included in this collection.
From his cult classic television series Twin Peaks to his most recent film Inland Empire (2006), David Lynch is best known for his unorthodox narrative style. An award-winning director, producer, and writer, Lynch distorts and disrupts traditional storylines and offers viewers a surreal, often nightmarish perspective. His unique approach to filmmaking has made his work familiar to critics and audiences worldwide, and he earned Academy Award nominations for Best Director for The Elephant Man (1980), Blue Velvet (1986), and Mulholland Drive (2001). Lynch creates a new reality for both characters and audience by focusing on the individual and embracing existentialism. In The Philosophy of David...
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At once a pop culture icon, cult figure, and film industry outsider, master filmmaker David Lynch and his work defy easy definition. Dredged from his subconscious mind, Lynch's work is primed to act on our own subconscious, combining heightened, contradictory emotions into something familiar but inscrutable. No less than his art, Lynch's life also evades simple categorization, encompassing pursuits as a musician, painter, photographer, carpenter, entrepreneur, and vocal proponent of Transcendental Meditation. David Lynch: The Man from Another Place, Dennis Lim's remarkably smart and concise book, proposes several lenses through which to view Lynch and his work: through the age-old mysteries ...