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Oratory in Action
This book examines the power and possibilities of public speaking, ranging from the oratory of the Athenian law courts to the political oratory of New Labour. A distinctive feature of the book is its conception of the orator as a performer and practitioner, and of oratory itself as a form of action. Historically, the power of eloquence to rouse and influence an audience made the orator a controversial figure whose rhetorical skills provoked suspicion and awe in almost equal measure. These essays show how orators exploit those skills in their attempts to shape the external world of opinion and fact. They also show how the speech itself may be considered as a linguistic event or "way of happening" which seeks to bind the orator and the audience in prized moments of connection.
Performance Cultures as Epistemic Cultures, Volume I
This volume investigates performances as situated "machineries of knowing" (Karin Knorr Cetina), exploring them as relational processes for, in and with which performers as well as spectators actively (re)generate diverse practices of knowing, knowledges and epistemologies. Performance cultures are distinct but interconnected environments of knowledge practice. Their characteristic features depend not least on historical as well as contemporary practices and processes of interweaving performance cultures. The book presents case studies from diverse locations around the globe, including Argentina, Canada, China, Greece, India, Poland, Singapore, and the United States. Authored by leading scho...
The Apothecary's Wife
"A lively medical, scientific, and economic history."--Kirkus Reviews (Starred Review) Best Nonfiction Books of 2024, Kirkus Reviews "A timely reminder that the current greed-based healthcare system is a relatively recent man-made scheme."--Forbes A groundbreaking genealogy of for-profit healthcare and an urgent reminder that centering women's history offers vital opportunities for shaping the future. The running joke in Europe for centuries was that anyone in a hurry to die should call the doctor. As far back as ancient Greece, physicians were notorious for administering painful and often fatal treatments--and charging for the privilege. For the most effective treatment, the ill and injured...
Pandora's Breeches
'Had God intended Women merely as a finer sort of cattle, he would not have made them reasonable.' Writing in 1673, Bathsua Makin was one of the first women to insist that girls should receive a scientific education. Despite the efforts of Makin and her successors, women were excluded from universities until the end of the nineteenth century, yet they found other ways to participate in scientific projects. Taking a fresh look at history, Pandora's Breeches investigates how women contributed to scientific progress. As well as collaborating in home-based research, women corresponded with internationally-renowned scholars, hired tutors, published their own books and translated and simplified important texts, such as Newton's book on gravity. They played essential roles in work frequently attributed solely to their husbands, fathers or friends.
Household Medicine in Seventeenth-Century England
How did 17th-century families in England perceive their health care needs? What household resources were available for medical self-help? To what extent did households make up remedies based on medicinal recipes? Drawing on previously unpublished household papers ranging from recipes to accounts and letters, this original account shows how health and illness were managed on a day-to-day basis in a variety of 17th-century households. It reveals the extent of self-help used by families, explores their favourite remedies and analyses differences in approaches to medical matters. Anne Stobart illuminates cultures of health care amongst women and men, showing how 'kitchin physick' related to the business of medicine, which became increasingly commercial and professional in the 18th century.
Politics of Practice
This book discusses affective practices in performance through the study of four contemporary performers – Keith Hennessy, Ilya Noé, Caro Novella, and duskin drum – to suggest a tentative rhetoric of performativity generating political affect and permeating attempts at social justice that are often alterior to discourse. The first part of the book makes a case for the political work done alongside discourse by performers practising with materials that are not-known, in ways that are directly relevant to people carrying out their daily lives. In the second part of the book, four case study chapters circle around figures of irresolvable paradox – hendiadys, enthymeme, anecdote, allegory – that gesture to what is not-known, to study strategies for processes of becoming, knowing and valuing. These figures also shape some elements of these performances that make up a suggested rhetorical stance for performativity.
Cahiers Élisabéthains
Études sur la pré-renaissance et la renaissance anglaises.
PPC
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