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Presenting medieval Pisa in a multidisciplinary study, A Companion to Medieval Pisa provides a comprehensive overview of the city at the time of its greatest fame and prosperity. The volume addresses central aspects of the city’s history: its geomorphology and orientation towards the Mediterranean Sea; its ancient past; the archaeological basis for the study of the medieval city and its built environment; Pisa’s urban and port infrastructure; its social organization and political and economic history; its cultural achievements in the visual and literary arts; and the legacy of the medieval past for the city today. Contributors are: David Abulafia, Monica Bini, Veronica Rossi, Stefano Bruni, Antonio Alberti, Gabriele Gattiglia, Alma Poloni, Giuseppe Petralia, Gabriella Garzella, Ewa Karwacka Codini, Cédric Quertier, Michele Campopiano, Michel Balard, Fabio Redi, Olimpia Vaccari, Mauro Ronzani, Maria Luisa Ceccarelli Lemut, Ottavio Banti, Marco Collareta, Karen Rose Mathews, Cristina Cagianelli, and Franco Cardini.
As a result of the Napoleonic wars, vast numbers of Old Master paintings were released on to the market from public and private collections across continental Europe. The knock-on effect was the growth of the market for Old Masters from the 1790s up to the early 1930s, when the Great Depression put an end to its expansion. This book explores the global movement of Old Master paintings and investigates some of the changes in the art market that took place as a result of this new interest. Arguably, the most important phenomenon was the diminishing of the traditional figure of the art agent and the rise of more visible, increasingly professional, dealerships; firms such as Colnaghi and Agnew's in Britain, Goupil in France and Knoedler in the USA, came into existence. Old Masters Worldwide explores the ways in which the pioneering practices of such businesses contributed to shape a changing market.
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