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Unpublished memoir of the life of a prominent Jewish family in London, and Margery Bentwich's later experiences in Palestine.
The scholarship of Ignaz Goldziher (1850–1921), one of the founders of Islamic studies in Europe, has not ceased to be in the focus of interest since his death. This volume addresses aspects of Goldziher’s intellectual trajectory together with the history of Islamic and Jewish studies as reflected in the letters exchanged between Goldziher and his peers from various countries that are preserved in the Library of the Hungarian Academy of Sciences and elsewhere. The thirteen contributions deal with hitherto unexplored aspects of the correspondence addressing issues that are crucial to our understanding of the formative period of these disciplines. Contributors: Camilla Adang, Hans-Jürgen Becker, Kinga Dévényi, Sebastian Günther, Máté Hidvégi Livnat Holtzman, Amit Levy, Miriam Ovadia, Dóra Pataricza, Christoph Rauch, Valentina Sagaria Rossi, Sabine Schmidtke, Jan Thiele, Samuel Thrope, Tamás Turán, Maxim Yosefi, Dora Zsom.
Following the British conquest of Ottoman Palestine, Jews across the British Empire—from Jerusalem to Johannesburg, London to Calcutta—found themselves at the heart of global Jewish political discourse. As these intellectuals, politicians, activists, and communal elites navigated shifting political landscapes, some envisioned Palestine as a British dominion, leveraging imperial power for Jewish state-building, while others fostered ties with anticolonial movements, contemplating independent national aspirations. Uncertain Empire considers this intricate interplay between British imperialism, Zionism, and anticolonial movements from the 1917 British conquest of Palestine to the establishm...
The 1911 Copyright Act, often termed the 'Imperial Copyright Act', changed the jurisprudential landscape in respect of copyright law, not only in the United Kingdom but also within the then Empire. This book offers a bird's eye perspective of why and how the first global copyright law launched a new order, often termed the 'common law copyright system'. This carefully researched and reflective work draws upon some of the best scholarship from Australia, Canada, India, Israel, Jamaica, New Zealand, Singapore, South Africa and United Kingdom. The authors – academics and practitioners alike – situate the Imperial Copyright Act 1911 within their national laws, both historically and legally. In doing so, the book queries the extent to which the ethos and legacy of the 1911 Copyright Act remains within indigenous laws. A Shifting Empire offers a unique global, historical view of copyright development and will be a valuable resource for policymakers, academic scholars and members of international copyright associations.
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The history of colonial copyright is most often told from the perspective of the colonizers. Reversing the trend, this study of the early roots of copyright in the British Empire provides a sophisticated theoretical framework, contextualizing early copyright law as a form of globalization and examining its impact on colonial affairs and modern law.
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