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While the gangster film may have enjoyed its heyday in the 1930s and ’40s, it has remained a movie staple for almost as long as cinema has existed. From the early films of Humphrey Bogart, James Cagney, and Edward G. Robinson to modern versions like Bugsy, Public Enemies, and Gangster Squad, such films capture the brutality of mobs and their leaders. In Gangsters and G-Men on Screen: Crime Cinema Then and Now, Gene D. Phillips revisits some of the most popular and iconic representations of the genre. While this volume offers new perspectives on some established classics—usual suspects like Little Caesar, Bonnie and Clyde, and The Godfather Part II—Phillips also calls attention to some ...
“Demonstrates that the ‘emancipation generation’ bequeathed values, ethical frameworks, and identities to multiple ensuing generations, shaping religious, educational, and cultural institutions as well as labor and political organizations.”—Peter Rachleff, editor of Starving Amidst Too Much and Other IWW Writings on the Food Industry “Shows how far off the mark arguments are that claim that black Americans generally have internalized inferiority and engage in self-defeating behaviors.”—William A. Darity Jr., coeditor of Boundaries of Clan and Color: Transnational Comparisons of Inter-Group Disparity In Known for My Work, Lynda Morgan looks beyond slavery’s legacy of racial ...
This incisive study reveals the fundamental, paradoxical weakness of colonialism and the enduring power of anticolonial resistance. Resistance is everywhere, but everywhere a surprise, especially when the agents of struggle are the colonized, the enslaved, the wretched of the earth. Anticolonial revolts and slave rebellions have often been described by those in power as “eruptions”—volcanic shocks to a system that does not, cannot, see them coming. In Anticolonial Eruptions, Geo Maher diagnoses a paradoxical weakness built right into the foundations of white supremacist power, a colonial blind spot that grows as domination seems more complete. Anticolonial Eruptions argues that the col...
Xena, Buffy, Lara Croft. WWF, The Sopranos, Witchblade, La Femme Nikita. The women of pop culture are center stage and as tough as ever. Action Chicks is a groundbreaking collection highlighting the heroines we've grown to worship. What can they tell us about women in the Twent-first-century? What can they tell us about how popular culture depicts women? Do the characters escape traditional gender role expectations? Or do they adhere to sexual, racial, ethnic, and class stereotypes? The essays in Action Chicks provide fans with a new look at their favourite icons and their relationship to the popular media machine. A fascinating collection that's bound to stir up some excitement.
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Widely acclaimed as America's greatest living film director, Martin Scorsese is also, some argue, the pre-eminent Italian American artist. Although he has treated various subjects in over three decades, his most sustained filmmaking and the core of his achievement consists of five films on Italian American subjects - Who's That Knocking at My Door?, Mean Streets, Raging Bull, GoodFellas, and Casino - as well as the documentary Italianamerican. In Gangster Priest Robert Casillo examines these films in the context of the society, religion, culture, and history of Southern Italy, from which the majority of Italian Americans, including Scorsese, derive. Casillo argues that these films cannot be ...
Restorative justicerefers to a social movement that seeks to repair interpersonal, communal, and social injustices without recourse to violence or retribution. This is the second of two volumes exploring a theology and practice of faith-rooted restorative justice and peacemaking.