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Volume II of Sam Houston?s personal correpondence continues the four-volume series of previously unpublished personal letters to and from Sam Houston. This volume begins March 6, 1846, as Houston leaves Texas to take his place in the U. S. Senate. Included in his letters are comments on national politics and life in Washington, D. C., descriptions of politicians and their wives, and his observations on generals of the Mexican War. New information sheds light on his feelings towards being a candidate for the presidency. Family letters give a picture of life on Texas plantations during the mid-1800s. The letters end August 10, 1848, after problems with Oregon have begun and the Mexican War has ended.
Finland-Swedish writer Monika Fagerholm is one of the most important contemporary Nordic authors. Her experimental, puzzling and daring novels, such as Underbara kvinnor vid vatten (1994) and Den amerikanska flickan (2004), have attracted much critical attention. She has won several literary awards, including the Nordic prize from the Swedish Academy in 2016; her works have travelled across national and cultural borders as they have now been translated in USA, Europe, Eastern Europe and Russia. Fagerholm’s wild and visionary depictions of girlhood have long had an impact on the Nordic literary landscape; currently, she has many literary followers among young female writers and readers in F...
Publisher Fact Sheet The long awaited final volume in the set Volume IV of this series brings to a close nearly ten years of research & publication of Sam Houston's correspondence. Includes a comprehensive index of all four volumes.
Reprint of the original, first published in 1888. The Antigonos publishing house specialises in the publication of reprints of historical books. We make sure that these works are made available to the public in good condition in order to preserve their cultural heritage.
The idea of virtual realities has a long and complex historical trajectory, spanning from Plato's concept of the cave and the simulacrum, to artistic styles such as Trompe L'oeil, and more recently developments in 3D film, television and gaming. However, this book will pay particular attention to the time between the 1980s to the 1990s when virtual reality and cyberspace were represented, particularly in fiction, as a wondrous technology that enabled transcendence from the limitations of physical embodiment. The purpose of this critical historical analysis of representations of virtual reality is to examine how they might deny, repress or overlook embodied experience. Specifically, the author will contend that embodiment is a fundamental aspect of immersion in virtual reality, rather than something which is to be transcended. In this way, the book aims to challenge distorted ideas about transcendence and productively contribute to debates about embodiment and technology.
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