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Governor Alexander Martin of North Carolina was one of the most important figures in the colonial and early state history of North Carolina. A 1756 graduate of Princeton, he was the first president of the Board of Trustees of the University of North Carolina. He served longer as governor of the state than any other person until the election of Luther Hodges in the 20th century. He was conferred an honorary doctorate by Princeton and elected to membership in the American Philosophical Society while he was a U.S. senator. While in the Senate, he fought successfully to open the Senate to the public. He was one of five North Carolina delegates to the Constitutional Convention in Philadelphia. He...
This groundbreaking book offers the first complete scholarly edition of Dickens's dramatic works. It challenges the previous neglect of these plays, recognising that his fascination with theatre, his playwrighting, and stage management of lavish amateur productions all had a formative impact on his professional identity and literary imagination. This pioneering critical edition of seven plays, single- and co-authored by Dickens, places his theatrical writing centre stage to encourage further critical work and interest in Dickens the dramatist - and, perhaps, new productions of the plays.
Critical citizenship practices and the language of today's populism have never been more sharply opposed. Today's insistent efforts to anchor citizenship narratives in national belonging now confront a variety of 'flexible' or 'differentiated' citizenships - plural, performative, and decentered practices of rights claiming mutually defining 'the political', its subjects, and its others on a variety of scales. They confront, too, critiques of citizenship in totalitarian or neoliberal governmentality that derive from Foucault, Agamben, and Arendt and have become pressing today in proliferating states of emergency and exception and the growing ranks of non-citizens. How should these debates be ...
In one of the first ethnographies of contemporary studio music production, author Eliot Bates investigates the emergence of a transnational market for Anatolian minority popular musics in the Turkish music industry. With its unique interdisciplinary approach, Digital Traditions sets a new standard for the study of recorded music.
Irish music enjoyed popularity across Europe and North America in the second half of the twentieth century. Regional circumstances created a unique reception for such music in the English Midlands. This book is a musical ethnography of Birmingham, 1950–2010. Initially establishing geographical and chronological parameters, the book cites Birmingham’s location at the hub of a road and communications network as key to the development of Irish music across a series of increasingly visible, public sites: Birmingham’s branch of Comhaltas Ceoltóirí Éireann was established in the domestic space of an amateur musician; Birmingham’s folk clubs encouraged a blend of Irish music with sociali...
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