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Studies in the Making of the Early Hebrew Book is a collection of twenty-four essays on various aspects of Hebrew book production in the 16th through 18th centuries. The subject matter encompasses little known printing-presses, makers of Hebrew books, and book arts. The print-shops were in such locations as Padua, Freiburg-im-Breisgau, Verona, and the first presses in Livorno. Among the makers of Hebrew books are a peripatetic printer, a chief rabbi accused of plagiarism, a convert to Judaism, and a court Jew. Book arts address the titling of Hebrew books, dating by means of chronograms, printers’ pressmarks, mirror-image monograms, and the development of the Talmudic page. The book is completed with miscellaneous but related articles on early Hebrew book sale catalogues, worker to book production ratio in an eighteenth century press, and an attempt to circumvent the Inquisition’s ban on the printing of the Talmud in sixteenth Century Italy.
"A varied collection of articles on early Hebrew printing, encompassing motifs on title pages such as lions, eagles, and fish as well as the entitling of Hebrew books. The next section is on authors and places of publication addressing such diverse topics as a much republished book opposed to gambling, authors of books on philology and on the massacres of tah-ve-tat (1648-49); of articles on diverse and disparate places of printing, Chierie, Hamburg, Offenbach, Verona, and Slavuta, generally small barely remembered publishers of interesting works, and in the last location properly identifying the printer of the highly regarded Slavuta press. Included is a section on Christian-Hebraism with articles on Altdorf where polemical books were published and another on William Wotten, a Christian vicar who published the first English translation of Mishnayot. The result is a wide-ranging series of articles highlighting the activities of early Hebrew presses and printers"--
Further Essays addresses aspects of early Hebrew book publication, among them book arts, little known authors, places of publication, and miscellaneous subjects. Book arts addresses pressmarks representing publishers motifs, several unusual, and the varied usage of biblical verses to entitle books. The second section focusses on the works of rabbis and scholars, once prominent but not well remembered today, noting their achievements and their varied books, encompassing such topics as biblical commentaries, Talmudic novellae, philosophy, and poetry. Several locations once important, also not well remembered today are addressed; Further Essays concludes with articles on other unrelated book topics.
The Seventeenth Century Hebrew Book is an encyclopedic, bibliographic work describing books printed with Hebrew letters in that century. It records and describes the authors, publishers, and printers of Hebrew books, as well as the books themselves. Similar to the author’s other work, The Sixteenth Century Hebrew Book, it covers the gamut of Hebrew literature, encompassing liturgical works, Bibles, commentaries, Talmud, Mishnah, halakhic codes, kabbalistic works, and fables. There are 691 entries comprised of a descriptive text page, background on the author, a description of the book’s contents and physical makeup, all of which are accompanied by reproductions of the title or sample pages. There is an extensive introduction with an overview of Hebrew printing in the seventeenth century, as well as detailed back matter. It is a necessary work for bibliographers, historians, and students of Jewish literature.
Printing the Talmud describes Talmud editions printed from 1650 to 1800, their publication and the contentious disputes between publishers. Subject editions, profusely illustrated, are addressed as an opening to the history of the presses and their context in Jewish history.
Further Studies in the Making of the Early Hebrew Book contains essays on aspects of the early Hebrew book most often treated in a cursory manner if addressed at all. The largest section of the volume is concerned with the makers and places of Hebrew books, mainly addressing book-makers poorly remembered or controversial and print-shops that issued a small number of books in a brief period of time. The section on varia addresses aspects of the book trade such as small books, incomplete books published as a prospectus, competing simultaneous editions, and errors and variations in books. Two smaller sections deal with book arts such as incunabula frames and pressmarks; variations between medieval and current Sephardic Haggadot.
This collection of specially commissioned articles aims to shed light on the Early Modern printer's mark, a very productive Early Modern word-image so far only occasionally noted outside the domain of book history. This collection of 17 specially commissioned articles aims to shed light on the European printer’s mark, a very productive Early Modern word-image genre so far only occasionally noted outside the domain of book history. It does so from the perspectives of book history, literary history, especially emblem scholarship, and art history. The various contributions to the volume address issues such as those of the adoption of printer's devices in the place of the older heraldic printe...
Johann Albrecht Widmanstetter (1506–1557), humanist and privy councillor to popes and kings, has remained an enigmatic figure among Christian Hebraists whose views were little understood. This study leverages Widmanstetter's remarkable collection consisting of hundreds of Jewish manuscripts and printed books, most of which survive to this day. Explore in the first half the story of Jewish book production and collecting in sixteenth-century Europe through Widmanstetter's book acquisitions, librarianship, and correspondence. Delve into his unique perspective on Jewish literature and Kabbalah as the latter half of the study contextualizes the marginal notes in his library with his published works.
The first study on the subject, this is a bibliographical work on individual tractates published in the first half of the eighteenth-century, and the circumstances of their publication. Included are numerous reproductions of title and representative pages.
"In 1538, a partnership of Jewish silk makers in the city of Bologna published a book entitled Sefer òHasidim, a compendium of rituals, stories, and religious instruction that primarily originated in medieval Franco-Germany. This book tells the story of how these men came to produce such a book"--