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Johann Albrecht Widmanstetter (1506–1557), humanist and privy councillor to popes and kings, has remained an enigmatic figure among Christian Hebraists whose views were little understood. This study leverages Widmanstetter's remarkable collection consisting of hundreds of Jewish manuscripts and printed books, most of which survive to this day. Explore in the first half the story of Jewish book production and collecting in sixteenth-century Europe through Widmanstetter's book acquisitions, librarianship, and correspondence. Delve into his unique perspective on Jewish literature and Kabbalah as the latter half of the study contextualizes the marginal notes in his library with his published works.
Within the framework of a research project aimed at a systematic reconstruction of the ideology of Papacy in the years 1431–1549 (PRIN 2022 2022BXT33X) this volume takes the Renaissance Church as an institution promoting an ambivalent and complex project of religious reform, where the ideal of the affirmation of a new political power, coexists – in dialectic tension – with the attempt to absorb and channel the diverse claims for the spiritual renewal of the Church, based on Biblical and apocalyptic motifs. In particular, this volume explores 1) the influence of texts and motifs from early Christianity on the literature produced in the years 1431–1549 (e.g., the use of Patristic texts...
This book presents the first in-depth exploration of the relationship between music, rhetoric and Christian Hebraism, by re-appraising the significance of the first German humanist Johannes Reuchlin's study of Kabbalah and cantillation in the light of Renaissance rhetoric. Few studies have investigated how Renaissance humanists learned Hebrew language for the delivery (pronuntiatio) of the Hebrew Bible as an aural-oral tradition. Hyun-Ah Kim examines the way in which 'grammarian-philosopher' Reuchlin reconstructed the modulata recitatio of the Hebrew Bible and its underlying intellectual foundation. Consequently, Kim demonstrates the hitherto neglected Hebraic aspect of Renaissance rhetoric and its mystical implications that played a vital role in shaping a new theoretical framework for the 'art of accented singing,' an art which has changed European musical culture ever since. Music, Rhetoric and Christian Hebraism in Early Modern Europe elucidates why this nexus is essential for understanding the integral relationship between music, language and theological philosophy.
This volume brings together the latest scholarship on Jewish literary products and the ways in which they can be interpreted from three different perspectives. In part 1, contributors consider texts as literature, as cultural products, and as historical documents to demonstrate the many ways that early Jewish, rabbinic, and modern secular Jewish literary works make meaning and can be read meaningfully. Part 2 focuses on exegesis of specific biblical and rabbinic texts as well as medieval Jewish poetry. Part 3 examines medieval and early modern Jewish books as material objects and explores the history, functions, and reception of these material objects. Contributors include Javier del Barco, ...