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More girls are producing media today than at any other point in U.S. history, and they are creating media texts in virtually every format currently possible--magazines, films, musical recordings, and websites. Girls Make Media explores how young female media producers have reclaimed and reconfigured girlhood as a site for radical social, cultural, and political agency. Central to the book is an analysis of Riot Grrrl--a 1990s feminist youth movement from a fusion of punk rock and gender theory-and the girl power movement it inspired. The author also looks at the rise of girls-only media education programs, and the creation of girls' studies. This book will be essential reading for anyone seeking to understand contemporary female youth in today's media culture.
Gender & Rock introduces readers to how gender operates in multiple sites within rock culture, including its music, imagery, technologies, and business practices. Additionally, it explores how rock culture, despite a history of regressive gender politics, has provided a place for musicians and consumers to experiment with alternate ways of being.
'The Gender and Media Reader' is an interdisciplinary anthology of the most influential writings in gender and media studies. It provides a useful tool for those interested in the development of gender and media studies, its primary topics, debates and theoretical approaches.
How the immigration policies and popular culture of the 1980's fused to shape modern views on democracy In the 1980s, amid increasing immigration from Latin America, the Caribbean, and Asia, the circle of who was considered American seemed to broaden, reflecting the democratic gains made by racial minorities and women. Although this expanded circle was increasingly visible in the daily lives of Americans through TV shows, films, and popular news media, these gains were circumscribed by the discourse that certain immigrants, for instance single and working mothers, were feared, censured, or welcomed exclusively as laborers. In The Cultural Politics of U.S. Immigration, Leah Perry argues that ...
The women on television series are spectacularly feminine. They are the most beautiful doctors, lawyers, detectives, scientists, queens, fashion-writers, moms, Victorian ladies, and witches ever seen. Focusing on series that celebrate empowered women from mainstay crime dramas such as Bones (2005-2017) and The Rookie: Feds (2022-2023) to teen dramas, with series such as Sex Education (2019-2023) and Charmed (2018-2022), to romance series such as Bridgerton (2020-), this book analyzes the onscreen portrayals of femme, femininity, and feminism. Specifically, this book maps the televisual trends that objectify femininity and those that visualize femininity as subject, working to demonstrate how televisual style constructs femininity through its onscreen portrayals.
A new edition that brings the ways we watch and think about television up to the present We all have opinions about the television shows we watch, but television criticism is about much more than simply evaluating the merits of a particular show and deeming it “good” or “bad.” Rather, criticism uses the close examination of a television program to explore that program’s cultural significance, creative strategies, and its place in a broader social context. How to Watch Television, Second Edition brings together forty original essays—more than half of which are new to this edition—from today’s leading scholars on television culture, who write about the programs they care (and t...
This book examines how the fairy tale is currently being redeployed and revised on the contemporary teen screen. The author redeploys Victor Turner’s work on liminality for a feminist agenda, providing a new and productive method for thinking about girlhood onscreen. While many studies of teenagehood and teen film briefly invoke Turner’s concept, it remains an underdeveloped framework for thinking about youth onscreen. The book’s broad scope across teen media—including film, television, and online media—contributes to the need for contemporary analysis and theorisation of our multimedia cultural climate.
Innovative methods in textual analysis to decode today’s ever-expanding media landscape Reading Media: How to do Textual Analysis reinvigorates one of media and cultural studies’ most foundational methods at a moment when it is most needed, showing its continuing vitality by adapting it to new media environments, cultural objects, and scholarly questions. The volume insists that the close study of meaning, form, and representation remains central to understanding media’s power. With contributions from leading and emerging scholars, the book offers a diverse toolkit: from narratological and semiotic analysis of film and TV, to historical poetic accounts of TikTok, multimodal analysis of...
Features a collection of essays that detail black women's experiences in various forms of music and details such topics as black authenticity, sexual politics, access, racial uplift through music, and the challenges of writing black feminist biographies.
This volume is a collection of 18 original essays that, woven together, make a central claim: As a consequence of the new driving logics of globalization, transnationalism, And The digital age, all late-modern institutions and forms of association and affiliation are coalescing under the banner of new identities. These logics have unsettled the processes of the social integration of modern subjects into late-modern institutions. The modern subject is being remade and reproduced in a context in which the relations between government, society, The individual, and market forces have undergone profound transformations and reorganization. As such, critical/cultural theory is needed to address these transformations in a way that moves beyond dystopian or utopian frameworks, and instead point To The particularities that make this moment (un)livable. Hence, this volume is divided into four sections in which contributors map these new, volatile developments across the domains of disciplinary history, technology, The body, and neoliberal programs of cultural and economic globalization.