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Let us not dwell on the past . . . I'm an old man, Charles. Old enough to know the past is only good for one thing – destroying the future. Guy and Kathleen grow their crops, raise their daughter, and pay their taxes. But Africa is changing, country by country. White farmers in Zimbabwe must now answer for history's crimes. When Charles arrives with a smile and a purchase order, there's more than just land at stake. With violence threatening to erupt, he will do whatever it takes to restore their farm to the 'native' population. As truths are revealed and moralities questioned, are things ever more than simply black and white? Inspired by real events in Zimbabwe, May Sumbwanyambe's debut play is an unflinching examination of land ownership, dispossession and justice in a post-colonial world. After Independence received its world premiere at the Arcola Theatre, London, on 4 May 2016, in a production by Papatango Theatre Company.
The Oxford Handbook of Scottish Theatre tells the story of drama and performing in Scotland from the earliest traces of folk plays, performances, and royal ceremonies in the medieval period right up to the challenges of the present post-pandemic moment in the professional theatre. It brings together distinguished scholars, theatre professionals, critics and reviewers to share their experiences of studying and in some cases producing the most significant landmarks of Scottish stage history, discussing pivotal plays and productions (Lyndsay's Ane Satyre of the Thrie Estaitis, Ramsay's The Gentle Shepherd, Home's Douglas, adaptations of Rob Roy and the 'National Drama', Lamont Stewart's Men Sho...
This textbook offers a detailed and expansive account of theatre and performance in contemporary Scotland. It considers the underlying historical and cultural developments that have enabled the recent renaissance in Scottish theatre and the emergence of playwrights of international standing, such as David Greig, Zinnie Harris, David Harrower and Rona Munro as well as companies of significant international note. Some prominence is given to the National Theatre of Scotland, which was established in 2004 in the aftermath of Scottish devolution, and which has become a key organization in the creating and dissemination – nationally and internationally – of Scottish theatre and performance. The book aims to capture the diversity and eclecticism of Scotland’s contemporary performance culture by examining work across a spectrum from children’s theatre, community theatre, mainstream theatre for adult audiences and live and performance art.
Would Burns 'Take the Knee' today? How could our Burns, the people's poet, look to become an instrument in what many now call 'The Black Holocaust'? Did Burns intend to travel knowing he would become a slavedriver, and broadly what that meant in terms of imposing suffering on others? Did this knowledge change his mind on emigrating to Jamaica? What would Burns have done had he actually gone? In the last decade of his life, as the debate for Abolition grew louder in Scotland, to what extent did this campaigning tide of information change his mindset? How was Burns used after his death in the fights for Abolition and Emancipation, particularly in the USA – in its Civil War and its Civil Righ...
Winner of Best New Play at the 2023 UK Theatre Awards Winner of Best New Play at the 2023 Critics' Awards for Theatre in Scotland To keep that part of me silent. That is what is unbearable. That is why I must be free. Based on a true story, Enough of Him explores the life of Joseph Knight, an African man enslaved by plantation owner Sir John Wedderburn and brought to Scotland to serve in his Perthshire mansion. Highly favoured by Wedderburn and yet still enslaved, Knight balances on the knife edge between obligation and a soul-deep yearning for freedom. He forges a bond with Annie, a young Scottish servant working in the household, and the two of them fall in love. But the walls of Ballindea...
Political theatre thrives on turbulence. By turning the political issues of the day into a potent, dramatic art form, its practitioners hold up a mirror to our society - with the power to shock, discomfit and entertain. Scenes from the Revolution is a celebration of fifty years of political theatre in Britain. Including 'lost' scripts from companies including Broadside Mobile Workers Theatre, The Women's Theatre Group and The General Will, with incisive commentary from contemporary political theatre makers, the book asks the essential questions: What can be learnt from our rich history of political theatre? And how might contemporary practitioners apply these approaches to our current politically troubled world? Beginning with a short history of pre-1968 political theatre - covering Brecht, Joan Littlewood and Ewan McColl - the editors move on to explore agit-prop, working-class theatre, theatre in education, theatre and race, women’s theatre and LGBTQ theatre. Featuring many of the leading voices in the field, then and now, Scenes from the Revolution is a must-read for anyone interested in politics in the arts.
The first-ever biography of the ultra-radical thinker Robert Wedderburn, from his native Jamaica to metropole London, by an award-winning historian Robert Wedderburn (1762–1834/5) was one of the most charismatic, irascible, and radical intellectuals of the eighteenth- and early nineteenth-century Atlantic world. Born to an enslaved woman and a slavemaster in Jamaica, and moving in the radical working-class circles of London, Wedderburn made his name as a fiery political writer and orator—before dying, forgotten, in poverty. Among the few abolitionists bold enough to publicly call for the enslaved in the British West Indies to rise up and violently overthrow their colonial “masters,” ...
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A new anthology of 10 plays written for young performers as part of the National Theatre Connections Festival 2025.
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