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This book examines the issue of capacity withdrawals in the electricity wholesale market. Electricity generators can exercise market power in the wholesale market either by withdrawing generation capacity, or by pricing above competitive levels in order to achieve a higher market price and, thereby, increase revenues. After a comprehensive explanation of capacity withdrawal practices and the issues that arise when proceeding under competition law, the book analyses whether an increased state of transparency, as provided for in the REMIT and Regulation 543/2013, could facilitate the efficient functioning of electricity wholesale markets and the investigation of capacity withdrawal practices. It also examines the effect of the prohibition of market manipulation as prescribed in the REMIT in dealing with abusive capacity withdrawals in the electricity wholesale market.
This book presents the proceedings of the KKIO Software Engineering Conference held in Wrocław, Poland in September 15-17, 2016. It contains the carefully reviewed and selected scientific outcome of the conference, which had the motto: “Better software = more efficient enterprise: challenges and solutions”. Following this mission, this book is a compilation of challenges and needs of the industry, as well as research findings and achievements that could address the posed problems in software engineering. Some of these challenges included in the book are: increasing levels of abstraction for programming constructs, increasing levels of software reuse, increasing levels of automation, optimizing software development cycles. The book provides a platform for communication between researchers, young and established, and practitioners.
Extensive work is a result of four year research within the international project Women's Creativity since the Modern Movement, and brings new insights into women in architecture, construction, design, urban planning and landscape architecture in Europe and in the rest of the world. It is divided into eight chapters that combine 116 articles on topics: A. Women’s education and training: National and international mappings; B. Women’s legacy and heritage: Protection, restoration and enhancement; C. Women in communication and professional networks; D. Women and cultural tourism; E. Women’s achievements and professional attainments: Moving boundaries; F. Women and sustainability: City and...
This book reports on recent advances in software engineering research and practice. Divided into 15 chapters, it addresses: languages and tools; development processes; modelling, simulation and verification; and education. In the first category, the book includes chapters on domain-specific languages, software complexity, testing and tools. In the second, it reports on test-driven development, processing of business rules, and software management. In turn, subsequent chapters address modelling, simulation and verification of real-time systems, mobile systems and computer networks, and a scrum-based framework. The book was written by researchers and practitioners, the goal being to achieve a synergistic combination of research results achieved in academia and best practices used in the industry, and to provide a valuable reference guide for both groups.
Recognised as one of the most significant contemporary directors, Pawel Pawlikowski achieved global acclaim with the Academy Award-winning Ida (2013). ReFocus: The Films of Pawel Pawlikowski is the first book-length study of the director's illustrious career, spanning nearly four decades and two countries - Great Britain and Poland. This volume traces Pawlikowski's artistic journey, from early, lesser-known BBC documentaries to breakthrough international successes like Last Resort (2000), My Summer of Love (2004), and the critically acclaimed Cold War (2018).Through in-depth analysis of his films, the book uncovers recurring themes such as identity, love, memory, and journeys, often set against historical and social upheavals. It examines his distinctive style - marked by minimalist visuals - arguing that with atmospheric modernist aesthetics, Pawlikowski not only consciously develops the tradition of European art film but also demonstrates the continued significance of authorship in a transnational context.
A 2022 Choice Reviews Outstanding Academic Title Structured according to key themes, Polish Cinema Today analyzes the remarkable innovations in Polish cinema emerging a decade after the 1989 dissolution of the Soviet bloc, once its film industry had evolved from a socialist state enterprise into a much more accessible system of film production, with growing expertise in distribution and marketing. By the early 2000s, an impressive, diverse cohort of filmmakers broke through the gridlock of a small set of esteemed, aging auteurs as well as the glut of imported Hollywood blockbusters, empowered by the digital revolution and domestic audience appetite for independent work. Polish directors today challenge sacrosanct bromides about national and gender identity, Poland’s historical martyrdom, the status of the influential Catholic Church, and the benevolent family, while investigating the phenomena of migration and sexuality in their full complexity. Each thematic chapter places these recent films within a historical/cultural context nationally and transnationally, and designs its analyses of specific works to engage general audiences of film scholars, students, and cinephiles.
A wave of antitrust scrutiny has swept across the European energy markets in recent years. For fear of drawn-out competition law investigations and high fines, targeted energy firms voluntarily offered far-reaching commitments to the European Commission, oftentimes selling off substantial parts of their business. The Commission has an ambitious plan to create a single market for energy, but liberalization processes often meet opposition from governments and industry stakeholders. Whenever the EU energy reforms get stuck in political deadlocks, the Commission eagerly resorts to competition enforcement and pushes forward its energy agenda through the back door of negotiations with investigated...
Katyn– the Soviet massacre of over 21,000 Polish prisoners in 1940 – has come to be remembered as Stalin’s emblematic mass murder, an event obscured by one of the most extensive cover-ups in history. Yet paradoxically, a majority of its victims perished far from the forest in western Russia that gives the tragedy its name. Their remains lie buried in killing fields throughout Russia, Ukraine and, most likely, Belarus. Today their ghosts haunt the cultural landscape of Eastern Europe. This book traces the legacy of Katyn through the interconnected memory cultures of seven countries: Belarus, Poland, Russia, Ukraine, and the Baltic States. It explores the meaning of Katyn as site and symbol, event and idea, fact and crypt. It shows how Katyn both incites nationalist sentiments in Eastern Europe and fosters an emerging cosmopolitan memory of Soviet terror. It also examines the strange impact of the 2010 plane crash that claimed the lives of Poland’s leaders en route to Katyn. Drawing on novels and films, debates and controversies, this book makes the case for a transnational study of cultural memory and navigates a contested past in a region that will define Europe’s future.
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