You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Changes in cosmic environments, from solar storms to asteroid impacts, have altered the course of history. Tracing how such events shaped geopolitics and spurred scientific and cultural innovation, Dagomar Degroot asks what comes next as the solar system becomes increasingly vulnerable to human activity.
It is a fact that today’s British stages resound with powerfully innovative voices and that, very often, these voices have been those of young women playwrights. This collection of essays gives visibility and pride of place to these fascinating voices by exploring the vitality, inventiveness and particularly strong relevance of these poetics. These women playwrights sometimes invent radically new forms and sometimes experiment with conventional ones in fresh and unexpected ways, as for example when they re-energize naturalism and provide it with new missions. The plays that are addressed are all concerned with the necessity to grasp the complexity of the contemporary world and to further investigate what it means to be human. Intimate or epic, and sometimes both at once, visionary or closer to everyday life, these plays approach the contemporary world through a multitude of prisms – historical, scientific, political and poetic – and open different and visionary perspectives.
None
Taking It Off, Putting It On is an interesting mix of formal sociological analysis and feminist theory, grounded in the voices of female strippers. This book is a careful, studied, theoretical walk through "women and work." The author interviews female strippers to reveal the core of the world of the professional stripper. Bruckert contends that the audience's reading of the stripper's sexualized form does not erase her authorship; she is able to "put on" the audience while she is "taking it (her clothes) off." Bruckert was herself a stripper and writes of feeling objectified by the usual feminist analysis of strippers. These feelings were the catalyst for her interest in women and work. She uses her intimate knowledge of the world of the stripper to journey to the heart and soul of the industry and allow the voice of the stripper to emerge as the "subject" in an experience in which she is usually objectified.
None
Marion J. Legge addresses theological ethics from the context of Canadian women -- especially the experience of marginalized women in Canada. Beginning with a critical reassessment of Canadian Radical Christianity, she argues that approaches that center on question of economic justice have nevertheless overlooked the day-to-day economic realities of Canadian women. Legge develops a reformulated critical theory of culture that, though it emphasizes difference, avoids premature abstraction and misplaced generalizations. She seeks a voice to articulate the theological and ethical dimensions of women's experience in the texts of three Canadian novels: In Search of April Raintree, by Beatrice Cullen; The Diviners, by Margaret Laurence; and Obasan, by Joy Kogawa.
Series covers individuals ranging from established award winners to authors and illustrators who are just beginning their careers. Entries cover: personal life, career, writings and works in progress, adaptations, additional sources, and photographs.