Welcome to our book review site www.go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Daughters of Alchemy
Meredith Ray shows that women were at the vanguard of empirical culture during the Scientific Revolution. They experimented with medicine and alchemy at home and in court, debated cosmological discoveries in salons and academies, and in their writings used their knowledge of natural philosophy to argue for women’s intellectual equality to men.
Early Modern Women and Transnational Communities of Letters
An important contribution to growing scholarship on women's participation in literary cultures, this essay collection concentrates on cross-national communities of letters to offer a comparative and international approach to early modern women's writing. The essays gathered here focus on multiple literatures from several countries, ranging from Italy and France to the Low Countries and England. Individual essays investigate women in diverse social classes and life stages, ranging from siblings and mothers to nuns to celebrated writers; the collection overall is invested in crossing geographic, linguistic, political, and religious borders and exploring familial, political, and religious communities. Taken together, these essays offer fresh ways of reading early modern women's writing that consider such issues as the changing cultural geographies of the early modern world, women's bilingualism and multilingualism, and women's sense of identity mediated by local, regional, national, and transnational affiliations and conflicts.
Women Writing Back / Writing Women Back
Privileging both a transnational and a sociological approach, this volume explores the position of women in the early modern literary field, emphasising the international scope of their literature and examining their historical position, influence, network and dialogues.
Early Modern Women Writers of Venice
Early Modern Women Writers of Venice: Looking for Happiness explores the ways in which five women used their writing to challenge misogynistic views about female inferiority, develop a sense of agency, and form meaningful interpersonal relationships that would enable them to find happiness. They are the forerunners of later feminist thinkers. This book is the first full-length study of the happiness of women in early modern Italy. It focuses on five women writers who lived in Venice between the late fifteenth century and the early seventeenth century. It takes an interdisciplinary approach that combines methodologies from literature, psychology, philosophy, history, religion, and emotion stu...
Sisters of Prometheus
This monograph explores the participation of women in alchemy, chemical crafts, and the early stages of modern chemistry. By contextualizing their achievements within the broader social, cultural, and scientific landscapes of their time, this book enables readers to seize the challenges these women confronted and the obstacles they triumphed over. Alongside narrating how they shaped the development of chemistry, including their contributions to the body of chemical literature, it also emphasizes pivotal moments and milestones in the history of women's emancipation. The book's comprehensive and integrative approach, complemented by engaging storytelling, renders it an indispensable resource for students, researchers, and general readers alike.
Twenty-Five Women Who Shaped the Italian Renaissance
Twenty-Five Women Who Shaped the Italian Renaissance takes readers on a journey through early modern Italy that places women at the heart of the artistic and cultural developments of this transformative era. Highlighted here are figures like Caterina Sforza, who defended her city against an invading army; Veronica Franco, the Venetian courtesan whose erotic verse enthralled Europe; Sofonisba Anguissola, acclaimed for her arresting portraits; Isabella Andreini, the original "prima donna" of Italian theater; and Margherita Sarrocchi, the epic poet and mathematics prodigy who corresponded with Galileo Galilei. Though many of their names have been neglected by history, the artists, writers, perf...
Gendering the Renaissance
The essays in this volume revisit the Italian Renaissance to rethink spaces thought to be defined and certain: from the social spaces of convent, court, or home, to the literary spaces of established genres such as religious plays or epic poetry. Repopulating these spaces with the women who occupied them but have often been elided in the historical record, the essays also remind us to ask what might obscure our view of texts and archives, what has remained marginal in the texts and contexts of early modern Italy and why. The contributors, suggesting new ways of interrogating gendered discourses of genre, identities, and sanctity, offer a complex picture of gender in early modern Italian literature and culture. Read in dialogue with one another, their pieces provide a fascinating survey of currents in gender studies and early modern Italian studies and point to exciting future directions in these fields.
Arcangela Tarabotti
None
Margherita Sarrocchi's Letters to Galileo
This book examines a pivotal moment in the history of science and women’s place in it. Meredith Ray offers the first in-depth study and complete English translation of the fascinating correspondence between Margherita Sarrocchi (1560-1617), a natural philosopher and author of the epic poem, Scanderbeide (1623), and famed astronomer, Galileo Galilei. Their correspondence, undertaken soon after the publication of Galileo’s Sidereus Nuncius, reveals how Sarrocchi approached Galileo for his help revising her epic poem, offering, in return, her endorsement of his recent telescopic discoveries. Situated against the vibrant and often contentious backdrop of early modern intellectual and academic culture, their letters illustrate, in miniature, that the Scientific Revolution was, in fact, the product of a long evolution with roots in the deep connections between literary and scientific exchanges.
Partenia, A Pastoral Play
The Other Voice’s edition of Barbara Torelli’s pastoral drama Partenia (c. 1586) is a groundbreaking contribution to the study of early modern Italian literature and women’s writing. This is the first ever print edition of the earliest secular play by an Italian woman, acclaimed at the time of its composition—the drama theorist Angelo Ingegneri placed it on a par with Tasso’s Aminta and Guarini’s Pastor fido—but long forgotten, to the extent that it was believed lost until the early twentieth century, when the first manuscript of it surfaced in Cremona.
