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This book explores intellectual discourse in reform era China by analysing the so-called “debate on the spirit of the Humanities”, which occurred in the years 1993-95, and which is recognised by scholars as one of the most interesting, influential and important debates of the 1990s. This debate, in which Chinese intellectuals reflected on reform-era mass culture and on their role in society, was the first debate in China after the crackdown of 1989 and the launch of new economic reforms after Deng Xiaoping’s 1992 “southern tour”. The book, drawing on a large corpus of texts and a wide range of individual positions, demonstrates how Chinese intellectuals, having to face the combination of political repression and economic liberalisation, conceptualised and reacted to both. The book reveals the scale and complexity of the debate, the nature of intellectual life in China, the status and relevance of intellectual voices in society, the divisions within the intellectual sphere as well as shared concepts and ideals, and how the key factors of political repression and economic liberalisation which remain central in China today were defined and articulated.
This book examines China's process of democratic transition, and the role of state and society in this process.
This successor volume to China beyond the Headlines takes the reader even farther beyond the "front stage" to explore a China few Westerners have seen. The contributors argue that the great gap between what specialists understand and the general public believes has led to distorted and potentially dangerous misunderstandings of the most powerful emerging player on the global stage. Seeking to bridge that gap, a group of prominent scholars, journalists, and activists challenge readers to move past the typical images of China presented by the media and to think about the common problems shared by China and the United States. In an entirely new set of essays, they explore such critical issues a...
Suppression and thaw have marked the course of communism in China. Merle Goldman traces that shifting pattern over the last decades of Mao's regime, linking it to the unique role of the intellectual in government Her engrossing account of the relations between the intellectuals and the governing elites provides a map of understanding to some recent events in the turbulent history of the People's Republic.
The People’s Republic of China has experienced numerous challenges and undergone tremendous structural changes over the past four decades. The party-state now faces a fundamental tension in its pursuit of social stability and regime durability. Repressive state strategies enable the Chinese Communist Party to maintain its monopoly on political power, yet the quality of governance and regime legitimacy are enhanced when the state adopts more inclusive modes of engagement with society. Based on a dynamic typology of state–society relations, this volume adopts an evolutionary framework to examine how the Chinese state relates with non-state actors across several fields of governance. Drawing on original fieldwork, the authors identify areas in which state–society interactions have shifted over time, ranging from more constructive engagement to protracted conflict. This evolutionary approach provides nuanced insight into the circumstances wherein the party-state exerts its coercive power versus engaging in more flexible responses or policy adaptations.
What has contemporary China inherited from its revolutionary past? How do the realities and memories, aesthetics and practices of the Mao era still reverberate in the post-Mao cultural landscape? The essays in this volume propose “red legacies” as a new critical framework from which to examine the profusion of cultural productions and afterlives of the communist revolution in order to understand China’s continuities and transformations from socialism to postsocialism. Organized into five parts—red foundations, red icons, red classics, red bodies, and red shadows—the book’s interdisciplinary contributions focus on visual and performing arts, literature and film, language and thought, architecture, museums, and memorials. Mediating at once unfulfilled ideals and unmourned ghosts across generations, red cultural legacies suggest both inheritance and debt, and can be mobilized to support as well as to critique the status quo.
John King Fairbank was the West's doyen on China, and this book is the full and final expression of his lifelong engagement with this vast ancient civilization. The distinguished historian Merle Goldman brings the book up to date and provides an epilogue discussing the changes in contemporary China that will shape the nation in the years to come.
Chinese Animation is the first edited book that explores the multiple histories, geographies, industries, technologies, media, and transmediality of Chinese animation. From silent short to CGI, it covers more than a century of animation across different languages, including Mandarin, Cantonese, and Taiwanese.
When they found their efforts had produced negligible results, they tried to introduce new institutions such as a free press, a legislature with real power, the rule of law, and truly competitive elections.