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This cutting edge book explores the role of the media in the highly disputed area of China-Africa relations, notably how various aspects of the issue have been portrayed, negotiated and contested in media and academic discourses. As Africa’s biggest trading partner and creditor, China explores Africa not only as a marketplace for importing primary commodities and exporting manufactured goods, but also as a preferred testing ground for its media and telecommunication sector aspiring for further internationalization. At a time when the influence from Global North has been on the wane in the continent, emerging powers are regarded as new inspirations for Africa’s development. China in parti...
How do we explain China’s tech rise in Africa? As Africa’s top phone seller, the Shenzhen-based company Transsion has profoundly shaped the continent’s digital transformation by providing affordable yet feature-rich mobile phones for the economically disadvantaged. Miao Lu draws on rich fieldwork in China and Ghana to delve into the company’s operations and growing influence. Critiquing technology transfer, Lu focuses on design, marketing, and repair to illustrate the multi-layered technology translations between China and Ghana. Borrowing the metaphor of deep ploughing, Lu examines the rural-centric and lower-class–oriented approach of translating mobile technology. Transsion challenges the cultural imagination of big tech. But the company is also evolving into a regional power that’s adept at marginalizing small players and increasing local dependence. Lu’s analysis explores the complexity that Shenzhen can act as Silicon Valley’s “South” and Africa’s “North” simultaneously. The middle space created by Transsion bridges globalization from above and below, which opens the door to new possibilities and inequalities.
This book examines the strategic implications of fragmented global governance by institutions for African states and their coalitions.
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Winner of the Dark Fest Film Festival Award for Best Genre Author 2024 David Pirie's acclaimed history of British gothic film and television has long been regarded as a foundational study of the roots of British horror, identifying it as 'the only staple cinematic myth which Britain can properly claim as its own.' This edition has been revised and updated to include discussion of films and TV dramas that have been newly discovered, restored or released since publication of the previous edition in 2007, as well as addressing newly-emergent screenwriters, directors and genres. Drawing on insider accounts and archival sources, David Pirie investigates the notion of horror versus realism in popu...