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This volume was first published by Inter-Disciplinary Press in 2014. For the typical celebrity, living in the limelight has never been particularly easy, and it seems to be getting harder every day. Although celebrity in the current century is similar to how it has been experienced in the past, the widespread availability of the Internet and its endless innovative potentialities have certainly brought about changes and new challenges. Today, it is not uncommon for this seemingly desirable cult of personality to, at times, take on an unexpected life of its own, sweeping unprepared celebrities along for the ride. To enable readers to grasp the cumulative complexity of contemporary celebrity culture, this book explores dynamics of the celebrity experience in recent centuries and up to the present day. In doing so, it explicitly analyses ever-changing phenomena of relevance to the celebrity experience, the importance and impact of fans and fandom(s), and the various pleasures and pitfalls that celebrities regularly encounter.
Death lies at the beginning of the Arab uprisings, and death continues to haunt them. Most narratives about the ‘Arab Spring’ begin with Mohammed Bouazizi, a Tunisian fruit vendor who set himself on fire. Egyptian protesters in turn referred to Khaled Said, a young man from Alexandria whom the police had beaten to death. This book places death at the centre of its engagement with the Arab uprisings, counterrevolutions, and their aftermaths. It examines martyrdom and commemoration as performative acts through which death and life are infused with meaning. Conversely, it shows how, in the making, remembering, and erasing of martyrs, hierarchies are (re)produced and possible futures are foreclosed. The contributors argue that critical anthropological engagement with death, martyrdom, and afterlife is indispensable if we want to understand the making of pasts and futures in a revolutionary present. This book was originally published as a special issue of Ethnos: Journal of Anthropology.
Focus: The Sounds of Islam focuses on the influence of Islam on the sonic practices of Muslim-majority societies. Centrally, it describes the position and role of sound within the Islamic religion, and in relation to the musics of Muslim-majority societies more generally. It encompasses a broad survey of the Islamic soundscape, examining the role of sound in Islamic practices throughout the world, each considered in its socio-cultural and historical contexts.
This book is an exploration into the history, aesthetics, social reality, regulation, and transformation of dance and dance music in Egypt. It covers Oriental dance, known as belly dance or danse du ventre, regional or group-specific dances and rituals, sha'bi (lower-class urban music and dance style), mulid (drawing on Sufi tradition and saints' day festivals) and mahraganat (youth-created, primarily electronic music with lively rhythms and biting lyrics). The chapters discuss genres and sub-genres and their evolution, the demeanor of dancers, trends old and new, and social and political criticism that use the imagery of dance or a dancer. Also considered are the globalization of Egyptian dance, the replication or fantasies of raqs sharqi outside of Egypt, as well as the dance as a hobby, competitive dance form, and focus of international dance festivals.
This handbook provides the first comprehensive reference book in English about the development of mass and social media in all Arab countries. Capturing the historical as well as current developments in the media scene, this collection maps the role of media in social and political movements. Contributors include specialists in the field from North America, Europe, and the Middle East. Each chapter provides an overview of the history, regulatory frameworks and laws governing the press, and socio-political functions of the media. While the geopolitical complexities of the region have been reflected in the expert analyses collectively, the focus is always the local context of each member state. All 38 chapters consider the specific historical, political, and media trajectories in each country, to provide a contextual background and foundation for further study about single states or comparative analysis in two or more Arab states. Capturing significant technological developments and the widespread use of social media, this all-inclusive volume on Arab media is a key resource for students and scholars interested in journalism, media, and Middle East studies.
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Cairo Pop is the first book to examine the dominant popular music of Egypt, shababiyya. Scorned or ignored by scholars and older Egyptians alike, shababiyya plays incessantly in Cairo, even while Egyptian youth joined in mass protests against their government, which eventually helped oust longtime Egyptian president Hosni Mubarak in early 2011. Living in Cairo at the time of the revolution, Daniel Gilman saw, and more importantly heard, the impact that popular music can have on culture and politics. Here he contributes a richly ethnographic analysis of the relationship between mass-mediated popular music, modernity, and nationalism in the Arab world. Before Cairo Pop, most scholarship on the...
Bringing together the perspectives of ethnomusicology, Islamic studies, art history, and architecture, this edited collection investigates how sound production in built environments is central to Muslim religious and cultural expression.
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