You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
In the context of authoritarian rule, torture has repeatedly emerged as a tool of social control. When we ask why and how through a comparative lens, patterns become visible. The right-wing military regimes of Francisco Franco in Spain and Augusto Pinochet in Chile exemplify how militarized masculinity served to enforce political repression and instill fear. Militarized Masculinity in Spain and Chile proposes that, until we connect the dots between masculinity, militarism, and violence, we cannot fully comprehend the causes and consequences of dictatorial brutality. Lisa DiGiovanni provides an in-depth examination of how literature and film illuminate these often-overlooked relationships, bridging historical and cultural contexts. The book presents a comprehensive exploration of militarized masculinity as it pertains to these interconnected regimes, revealing the intersections between gender constructs and state violence. By analyzing representations in various cultural texts, Militarized Masculinity in Spain and Chile sheds light on the enduring mechanisms of power and control that continue to resonate today.
This volume brings together leading international experts in politics, discourse, memory, and culture to examine the complex entanglements of populism(s) and fascism(s) in political thought and cultural productions. The starting point is Argentine historian Federico Finchelstein’s assertion that the dynamics of transnational fascism and populist movements become clearer when viewed from the margins. Indeed, it was in Latin America – not Europe – where fascism and populism first intersected, with Argentine Peronism as the paradigmatic case. Building on this perspective, the volume explores Europe’s political and cultural legacy of fascism within the context of globalised mobilities, l...
Unsettling Nostalgia in Spain and Chile: Longing for Resistance in Literature and Film reframes nostalgia to analyze how writers and filmmakers have responded to 20th-century dictatorial violence and loss in Spain and Chile. By reaching beyond reductive definitions that limit nostalgia to a conservative desire to defend traditional power hierarchies, Lisa DiGiovanni captures the complexity of a critically conscious type of longing and form of transmission that she terms “unsettling nostalgia.” Using literature and film, DiGiovanni illustrates how unsettling nostalgia imbues representations of pre-dictatorial mobilization during the Second Spanish Republic (1931–1939) and the Chilean Po...
The Feeling Child: Affect and Politics in Latin American Literature and Film compiles a series of essays focusing on the figure of the child within the specific context of the “affective turn” in the study of contemporary sociocultural settings across Latin America. This edited volume looks specifically at the intersection between cultural constructions of childhood and the affective turn within the contemporary sociopolitical landscape of Latin America. The editors and contributors share a common aim in furthering comprehension of the particular intensity of the child’s affective presence—spectatorial, haptic, silent, and spectral, among others—in contemporary Latin American cultu...
During the age of dictatorships, Latin American prisons became a symbol for the vanquishing of political opponents, many of whom were never seen again. In the postdictatorship era of the 1990s, a number of these prisons were repurposed into shopping malls, museums, and memorials. Susana Draper uses the phenomenon of the "opening" of prisons and detention centers to begin a dialog on conceptualizations of democracy and freedom in post-dictatorship Latin America. Focusing on the Southern Cone nations of Uruguay, Chile, and Argentina, Draper examines key works in architecture, film, and literature to peel away the veiled continuity of dictatorial power structures in ensuing consumer cultures. T...
"Carmen and her brother are sent to live with relatives after their family breaks apart. Imprisoned in a sprawling house ruled by Grandmother and Aunt Malva - table dictators who strive to maintain absolute control over their domicile - the scene is set for a struggle between the captive teens and their unrelenting keepers." "Restless and vibrant, Carmen attempts to overcome the social isolation she and her brother suffer in the iron-fisted grip of the family matriarchs. Her insouciance and budding sexuality create a powerful resistance to the bourgeois values, hypocrisy, and social imperatives that repress this uneasy household with its hilariously Kafkaesque cast of characters."--BOOK JACKET.