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Encounters with the Real in Contemporary Italian Literature and Cinema
This volume explores the Italian contribution to the current global phenomenon of a “return to reality” by examining the country’s rich cultural production in literature and cinema. The focus is particularly on works from the period spanning the Nineties to the present day which offer alternatives to notions of reality as manufactured by the collusion between the neo-liberal state and the media. The book also discusses Italy’s relationship with its own cultural past by investigating how Italian authors deal with the return of the specter of Neorealism as it haunts the modern artistic imagination in this new epoch of crisis. Furthermore, the volume engages in dialogue with previous works of criticism on contemporary Italian realism, while going beyond them in devoting equal attention to cinema and literature. The resulting interactions will aid the reader in understanding how the critical arts respond to the triumph of hyperrealism in the current era of the virtual spectacle as they seek new ways to promote cognitive transformations and foster ethical interventions.
The Crescent Moon and the Magen David
The nationalist outlook of the Turkish state since the beginning of the Republican era in 1923 targeted uniform identity formation. While Turkey did not recognize the existence of ethnic identities as long as they were Muslim, non-Muslims were challenging this ideal. During this social engineering, the religious minorities and the state had very turbulent relations based on mistrust, resulting in many discriminative legislations. The Republican story of the Jews provides significant insight to highlight the difficulties and challenges encountered in the formation of the Turkish Republic as well as the changes in the Turkish public with the new nation state in effect. Following the Second Wor...
Transnational Modernity and the Italian Reinvention of Walt Whitman, 1870-1945
"This study gauges the effects that Walt Whitman's poetry had in Italy in the period from 1870 to 1945: the reactions it provoked, the aesthetic and political agendas it came to sponsor, and the creative responses it facilitated. But it also investigates the contexts and causes of Whitman's success abroad, in the lives, backgrounds, beliefs, and imaginations of the people who encountered it. Ultimately, it chronicles the evolution of a literature intent on regenerating itself and moving toward modernity. Bernardini gives particular attention to women writers and noncanonical writers often excluded from previous discussions of Whitman's Italian reception. The book is grounded in archival stud...
Reconsidering the Postmodern
From Michel Houellebecq to Zadie Smith, from Javier Marías to Arnon Grunberg: this timely study takes its reader on a tour of European literature and the critical discussion around it. Despite recent declarations of postmodernism’s demise, contemporary literature turns out to be entangled in a discussion with postmodernism. It is time to critically evaluate this legacy. Twelve specialists in the national literatures sketch the outlines of the debate. Turning to literature itself, they find it to be searching for new values after the relativizing force of postmodernism.
Genres as Repositories of Cultural Memory
This volume deals with the inherent relation between literary genres and cultural memory. Indeed, generic repertoires may be regarded as bodies of shared knowledge (a sort of ‘encyclopaedia' or 'museum' of stocked culture) and have played and still play an important role in absorbing and activating that memory. The contributors have focused on some specific memory-linked genres that prove especially relevant in remembering and transforming past experiences, i.e. the (post)modern historical novel and various forms of (post)modern autobiographical writing. They deal with such renowned authors as Carlos Fuentes, Vargas Llosa, Umberto Eco, Antonio Tabucchi, John Barth, Julian Barnes, Michel Butor, Nathalie Sarraute, Alain Robbe-Grillet, Claude Simon, Georges Perec and Marguerite Yourcenar. The volume, thus, constitutes an attractive and representative sample of (post)modern forms of rewriting and problematizing individual and collective pasts.
Trends in Contemporary Italian Narrative, 1980-2007
The â ~new Italian narrativeâ (TM) that began to be spoken about in the 1980s was not associated with a single writer or movement but with an eclectic and varied production. The eight essays that make up this volume set out to give a flavour of the breadth and range of recent trends and developments. The collection opens with two essays on crime fiction. In the first, Luca Somigli examines novels dealing with topical issues or recent history and which reveal a strong indigenous and regional tradition, while in the second, Nicoletta McGowan discusses the particular case of a noir by Claudia Salvatori. They are followed by essays on two of Italyâ (TM)s best-known contemporary writers: Marin...
Giorgio Scerbanenco
This book discusses Giorgio Scerbanenco's representation of criminal environments in his Duca Lamberti series (1966-69), focusing in particular on three innovative aspects characterising Italian crime fiction in the 1960s: Scerbanenco's portrayal of the urban space, violence and gender and its cognitive and emotional impact on the reader.
Fly Away Home
Monica Brunetti seems to have it all. But suddenly her idyllic life in a picturesque South African village unravels. Then her friend Francina sets off on what may be a fool's errand--or her household's salvation. Can Monica find the faith and courage to reunite her own family?
Antonio Tabucchi
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