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Standing in the Shadows
The final novel in the bestselling Alan Banks crime series - and a NUMBER ONE PAPERBACK BESTSELLER (January 2024) - by the master of the police procedural. 'The best mystery-procedural series on the market. Try one and tell me I'm wrong' STEPHEN KING Late November, 1980. Student Nick Hartley returns from a lecture to find his house full of police officers. As he discovers that his ex-girlfriend has been found murdered in a nearby park, and her new boyfriend is missing, he realises two things in quick succession: he is undoubtedly a suspect as he has no convincing alibi, and he has own suspicions as to what might have happened . . . Late November 2019. An dig near Scotch Corner unearths a skeleton that turns out to be far more recent than the Roman remains the archaeologist is looking for. Detective Superintendent Alan Banks and his team are called in and, as an investigation into the find begins, the past and the present meet with devastating consequences. 'The master of the police procedural' MAIL ON SUNDAY
Taylor Sage FBI Suspense Thriller Bundle: Don’t Hide (#7) and Don’t Blink (#8)
A bundle of books #7 (DON’T HIDE) and #8 (DON’T BLINK) in Molly Black’s Taylor Sage FBI Suspense Thriller series! This bundle offers books seven and eight in one convenient file, with over 100,000 words of reading. FBI Special Agent Taylor Sage has crossed the country and transferred to her dream job with the BAU at Quantico. With a new job, a new house, and her husband by her side, Taylor is ready to put the darkness of her past behind her: a sister who vanished when she was a teenager. Taylor is ready for a fresh start. But when a tarot reader on the boardwalk offers an uncannily specific prediction about her next case, Taylor, ready to brush it off, is haunted by it—and can’t he...
John Wesley
In the 1960s, John Wesley's works were labeled Pop art. While some would protest, it's true that his distinctive, comics-inspired lines, his American themes and his enigmatic eroticism had a striking influence on both Pop and a younger generation. This retrospective covers 45 years of stylistically consistent work, from before Pop to after it, including some 100 drawings and gouaches from Wesley's own studio and from private collections, organized in a first attempt to shed light on this wide-ranging oeuvre in terms of the processes by which it came into being, and to analyze the incongruous profundity of the results. Wesley's paintings, although they refer to downmarket aesthetics and mundane American life, nonetheless have an exceptionally meditative, even spiritual effect: they wrest from the ordinary all the big themes that have played in occidental figurative painting, including passion, love, hate, greed, failure, malice, self-importance and dreams, as well as an entirely contemporary ambiguity and humor. With essays by Martin Hentschel and Martha Schwendener.
Congressional Record
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Festival Poems
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