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Critical Heritage Studies and the Futures of Europe
Cultural and natural heritage are central to ‘Europe’ and ‘the European project’. They were bound up in the emergence of nation-states in the eighteenth and nineteenth centuries, where they were used to justify differences over which border conflicts were fought. Later, the idea of a ‘common European heritage’ provided a rationale for the development of the European Union. Now, the emergence of ‘new’ populist nationalisms shows how the imagined past continues to play a role in cultural and social governance, while a series of interlinked social and ecological crises are changing the ways that heritage operates, with new discourses and ontologies emerging to reconfigure herita...
Variational Methods for Discontinuous Structures
In recent years many researchers in material science have focused their attention on the study of composite materials, equilibrium of crystals and crack distribution in continua subject to loads. At the same time several new issues in computer vision and image processing have been studied in depth. The understanding of many of these problems has made significant progress thanks to new methods developed in calculus of variations, geometric measure theory and partial differential equations. In particular, new technical tools have been introduced and successfully applied. For example, in order to describe the geometrical complexity of unknown patterns, a new class of problems in calculus of variations has been introduced together with a suitable functional setting: the free-discontinuity problems and the special BV and BH functions. The conference held at Villa Olmo on Lake Como in September 1994 spawned successful discussion of these topics among mathematicians, experts in computer science and material scientists.
Mythologist in Microgroove
In Mythologist in Microgroove: A Study of Italian Myths and Cultural Shifts with Fabrizio De André on Lead Vocals, author Julianne VanWagenen investigates the ways in which popular music, as well as other popular genres, engaged with and critiqued modern myth during years of cultural and political upheaval in Italy, from the late 1960s to the mid-1980s. The Italian singer-songwriter, Fabrizio De André, is the productive lens of the book, as it considers the myths of the hanged man and the scaffold, the cowboy, Jesus of Nazareth, and Edgar Lee Masters’s Fiddler Jones. Across four chapters, VanWagenen engages contemporary events and cultural contexts in Italy, as well as abroad, and interprets them through the lens of popular cultural productions. She weaves the voices of Bob Dylan, Francesco De Gregori, Francesco Guccini, Dario Fo, Edgar Lee Masters, among others, with that of De André to propose a new perspective on the countercultural years. Across the study, De André’s music arises as singularly profound and persistent in its critique of elements of western culture that have guided its trajectory since the late medieval period.
Nothing Without Tourism
For centuries, locals in many Swiss Alpine villages have depended on visitors’ wanderlust to sustain their livelihoods. Based on ethnographic fieldwork conducted in a German-speaking village and tourist resort between 2017 and 2023, this book explores people’s everyday experience of tourism as a volatile yet vital industry, where successes and failures in the past, present and future intersect in puzzling ways. Following ‘native’ locals, migrant hospitality workers from (mostly) Southern and Eastern Europe, as well as tourism lobbyists in this globalized mountain village, it examines how power imbalance among those dependent on tourism elicit different responses to the dilemmas of tourism.
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Oreste Alla Biennale
Documentation of the project of the same title which was part of the exhibition dAPERTutto at the 48th Venice Biennale, 1999.
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