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The Reparative in Narratives
The authors studied in this book can be visualized as the islands that constitute an unknown, fragile and trembling literary and cultural Francophone archipelago. The archipelago does not appear on any map, in the middle of an ocean whose name we already know. No Francophone anthology would put these authors together as a matter of course because what connects them is a narrative grammar rather than a national origin or even a language. Yet, their writing techniques and their apprehension of the real (the ways in which they know and name the world) both reflect and actively participate in our evolving perception of what Gayatri Spivak calls the "planet". The Reparative in Narratives argues t...
Infiltrating Culture
Mireille Rosello's analysis explodes the notion of binary oppositions: the insider/outsider, black/white, straight/queer, rich/poor, solid/fluid. The infiltrator, she argues, is an ambivalent figure, one who penetrates a closed territory only to expose the fantasy upon which power relations are founded.
Cinema, Colonialism, Postcolonialism
In this first major study of French colonial and postcolonial cinema, Dina Sherzer compiles essays by some of the foremost scholars on the subject who interrogate and analyze the realities behind the images of the nation’s past and present. Through an examination of France and its colonies, multiethnic contemporary France, and cinematic discourses which have been and are being produced about France’s colonial past, these authors explore how the images relay underlying assumptions and their relation to historical and political facts. A variety of subjects and viewpoints inform these studies, which cover the entire range of films on that topic. The authors expound upon the role French and ...
Postcolonial Hospitality
Hospitality has emerged as a category in recent French thinking for addressing a range of issues associated with immigration. Concentrating primarily on France and its former colonies in North and sub-Saharan Africa, this book considers how hospitality and its dissidence are defined, practiced, and represented in European and African fictions, theories, and myths at the end of the 20th century.
Black France
"[W]ithout a doubt one of the most important studies so far completed on literature in French grounded in the experiences of migrants of sub-Saharan African origin." —Alec Hargreaves, Florida State University France has always hosted a rich and vibrant black presence within its borders. But recent violent events have raised questions about France's treatment of ethnic minorities. Challenging the identity politics that have set immigrants against the mainstream, Black France explores how black expressive culture has been reformulated as global culture in the multicultural and multinational spaces of France. Thomas brings forward questions such as—Why is France a privileged site of civilization? Who is French? Who is an immigrant? Who controls the networks of production? Black France poses an urgently needed reassessment of the French colonial legacy.
Aimé Césaire
Aimé Césaire is arguably the greatest Caribbean literary writer in history. Best known for his incendiary epic poem Notebook of a Return to My Native Land, Césaire reinvented black culture by conceiving ‘négritude’ as a dynamic and continuous process of self-creation. In this essential new account of his life and work, Jane Hiddleston introduces readers to Césaire’s unique poetic voice and to his role as a figurehead for intellectuals pursuing freedom and equality for black people. Césaire was deeply immersed in the political life of his native Martinique for over fifty years: as Mayor of Fort-de-France and Deputy at the French National Assembly, he called for the liberation of oppressed people at home and abroad, while celebrating black creativity and self-invention to resist a history of racism. Césaire’s extraordinary life reminds us that the much-needed revolt against oppression and subjugation can—and should—come from within the establishment, as well as without.
Le Queer Impérial
In Le Queer Impérial Julin Everett explores the taboo subject of male homoerotic desire between black Africans and white Europeans in francophone colonial and postcolonial literatures. Everett exposes the intersection of power and desire in blanc-noir relationships in colonial and postcolonial black Africa and postimperial Europe. Reading these literatures for their portrayals of race, gender and sexuality, Everett begins a conversation about personal and political violence in the face of forbidden desires.
Hyper/Text/Theory
In his widely acclaimed book Hypertext George P. Landow described a radically new information technology and its relationship to the work of such literary theorists as Jacques Derrida and Roland Barthes. Now Landow has brought together a distinguished group of authorities to explore more fully the implications of hypertextual reading for contemporary literary theory. Among the contributors, Charles Ess uses the work of Jürgen Habermas and the Frankfurt School to examine hypertext's potential for true democratization. Stuart Moulthrop turns to Deleuze and Guattari as a point of departure for a study of the relation of hypertext and political power. Espen Aarseth places hypertext within a framework created by other forms of electronic textuality. David Kolb explores what hypertext implies for philosophy and philosophical discourse. Jane Yellowlees Douglas, Gunnar Liestol, and Mireille Rosello use contemporary theory to come to terms with hypertext narrative. Terrence Harpold investigates the hypertextual fiction of Michael Joyce. Drawing on Derrida, Lacan, and Wittgenstein, Gregory Ulmer offers an example of the new form of writing hypertextuality demands.
Cinema and the Republic
This book analyses contemporary French films by focussing closely on cinematic representations of immigrants and residents of suburban housing estates known as banlieues. It begins by examining how these groups are conceived of within France's Republican political model before analysing films that focus on four key issues. Firstly, it will assess representations of undocumented migrants known as sans-papiers before then analysing depictions of deportations made possible by the controversial double peine law. Next, it will examine films about relations between young people and the police in suburban France before exploring films that challenge cliches about these areas. The conclusion assesse...
Michel Tournier
This volume of essays brings together critical analysis and commentary on the literary work of Michel Tournier.
