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Nabarun Bhattacharya
The book aims to introduce the Bengali writer (1948-2014) to a global audience through some of his short stories and poems in English translation and a series of critical essays on his works. A political commitment to literature frames Nabarun Bhattacharya's aesthetic project and the volume wishes to tease out the various perspectives on this complex meeting of politics and aesthetics. Be it the novel on dogs or those on petro-pollution and the machine, the political question in Nabarun echoes significant contemporary issues, such as animal rights, global warming and techno-capitalism. This opens up the possibility of questioning the traditional paradigm of humanist values in a world of catastrophic and violent encounters such as nuclear war or holocaust, which keeps returning in Nabarun's works.
Knit India Through Literature Volume II - The East - Bengali
'Knit India Through Literature...' is a mega literary project, first of its kind in Indian literature, is the result of the penance-yagna done for 16 years by Sivasankari, noted Tamil writer. ‘Knit India Through Literature' has inolved intense sourcing, research and translation of literature from 18 Indian languages. The project she says aims to introduce Indians to other Indians through literature and culture and help knit them together. The interviews of stalwart writers from all 18 languages approved by the eighth schedule of Indian Constitution, accompanied by a creative work of the respective writer are published with her travelogues of different regions, along with an indepth article...
Postcolonial Urban Outcasts
Extending current scholarship on South Asian Urban and Literary Studies, this volume examines the role of the discontents of the South Asian city. The collection investigates how South Asian literature and literature about South Asia attends to urban margins, regardless of whether the definition of margin is spatial, psychological, gendered, or sociopolitical. That cities are a site of profound paradoxes is nowhere clearer than in South Asia, where urban areas simultaneously represent both the frontiers of globalization as well as the deeply troubling social and political inequalities of the global south. Additionally, because South Asian cities are defined by the palimpsestic confluence of,...
Urban Discourses of Crisis, Resilience, and Resistance
This volume seeks to address questions of urban crisis from an interdisciplinary perspective that foregrounds the particular roles that literature and the creative arts play in both conceptualizing and addressing the multiple challenges facing cities. Noting that the successive crises of recent years (from the 2008 recession to COVID-19) seem to have put an end to the triumphalist tone of much urban writing in the 1990s, this book argues that the current historical moment calls for a different kind of urban discourse, focused on reassessment and regrouping. This edited collection features a variety of different approaches, including close readings of literary works, interviews, essays in cultural and architectural history, and sociological, ethnographic, and urban planning studies. These chapters explore a range of challenges currently faced by cities, and foreground the search for solutions.
Interstices of Space and Memory
The conference intersectionally locates memory and space that reconstruct city chronotopes to explore how identities are reconfigured in metropolitan Indian cities. In taking recourse in locating turning points that could be historical, political or cultural in the life of ‘Metropolitan Indian Cities’ the perspective that is brought together with personal and collective stories that are recorded in Art /Literature /Curated Projects /Museums is that these moments reshape human values/ ethos in Cities. The assumption made is that at specific moments in time / turning points, with the pandemic for instance the spirit of the city changes. It highlights how human beings in cities account for such changes (the IIHS runs a postcard project on human lives during the plague and corona) being an example. It uses focal moments in the City as the lens to discuss Art, Literature and City Design.
Herbert
Seer Or Con Man? Savant Or Trickster? Genius Or Screwball?Like Its Eponymous Hero, Nabarun BhattacharyaýS Short Intense, Deftly Crafted Novel, Hailed By Critics As An Off Beat Tour De Force, Is Impossible To Categorize. With Its Earthiness, Its Deadpan Wit, Its Often Case-History Format, And Its Sheer Verbal Panache, Herbert Cuts Life Knife Through Butter. Its Novel And Vibrant Use Of The Uniquely Kolkata Brand Of Vernacular Almost Reinvents The Language. And Somewhat Miraculously, This Novella, With Its Sense Of Impending Doom, Coupled With Its ProtagonistýS Naive Optimism, Emerges As The Nearest Thing To A Literary Metaphor For What This Crumbling City Stands For, And For The Values It Desperately Clings To. Even If HerbertýS Dialogue With The Dead WonýT Convince The Reader Of An ýAfterlifeý, His Story Is Guaranteed ýImmortalityý In The Canons Of Indian Literature.
Translations of Bengali Works Into English
Bibliography of translated Bengali imprints into English; chiefly on Bengali literature.
Didi
A timely biography of the woman who defeated the longest-serving communist government in the world Mamata Banerjee is many things to many people - to some she is a 'performer' on the stage of Indian politics; to others she is a spirited woman who made it despite having no male patrons, a leader who was tested to the limit and emerged on top. If she is adored as the quintessential woman next door who has none of the airs that mark Indian politicians, she is as strongly derided for her 'theatricality' and rhetoric. But everyone agrees that she is a fighter who never gives up. Overcoming severe odds to challenge three decades of Marxist rule in West Bengal, Mamata Banerjee, 'Didi' to the young ...
The Girl Who Ate Books
A unique collection of essays from one of India's best-loved critics From Bankimchandra Chatterjee to G.V. Desani to Vikram Seth, Indian writing in English has come a long way over the last hundred years. And Nilanjana Roy - voracious eater of books and sharpest of critics - has taken stock of it all. One of India's most widely read journalists, Roy has been writing reviews, columns, essays and features for over two decades. The Girl Who Ate Books revisits the best of these occasional pieces and weaves them together with a set of new personal essays. From early memories of living in a house made of books to encounters with men and women who hoarded books to the author's first taste of the pr...
