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The Philosophy of Nicolai Hartmann
Nicolai Hartmann was one of the most prolific and original, yet sober, clear and rigorous, 20th century German philosophers. Hartmann was brought up as a Neo-Kantian, but soon turned his back on Kantianism to become one of the most important proponents of ontological realism. He developed what he calls the “new ontology”, on which relies a systematic opus dealing with all the main areas of philosophy. His work had major influences both in philosophy and in various scientific disciplines. The contributions collected in this volume from an international group of Hartmann scholars and philosophers explore subjects such as Hartmann's philosophical development from Neo-Kantianism to ontological realism, the difference between the way he and Heidegger overcame Neo-Kantianism, his Platonism concerning eternal objects and his interpretation of Plato, his Aristotelianism, his theoretical relation to Wolff's ontology and Meinong's theory of objects, his treatment and use of the aporematic method, his metaphysics, his ethics and theory of values, his philosophy of mind, his philosophy of mathematics, as well as the influence he had on 20th century philosophical anthropology and biology.
New Research on the Philosophy of Nicolai Hartmann
The imposing scope and penetrating insights of German philosopher Nicolai Hartmann’s work have received renewed interest in recent years. The Neo-Kantian turned ontological realist established a philosophical approach unique among his peers, and it provides a wealth of resources for considering contemporary philosophical problems. The chapters included in this volume examine his ethics, ontology, aesthetics, philosophy of mind, and philosophy of nature. They explore his ontology of values, autonomy and human enhancement, and law; his theory of levels of reality, space-time and geometry, the categories of temporality, causality, and “life,” the question of realism, and social ontology. ...
Martin Heidegger on the Way
This guidebook provides an ideal entry-point for readers new to Heidegger, transforming it from a daunting task into an exciting and necessary challenge.
The Analysis of Wonder
Structured to introduce the reader into all aspects of the philosophy of Nicolai Hartmann (1882-1950), this book aims to stimulate further interest into his thought. Once considered the most studious and systematic of all the German philosophers of the twentieth-century, this prolific author has been nearly forgotten. For many years a student and an admirer of Hartmann's work, Cicovacki argues that a closer look into Hartmann's ontologically and axiologically oriented philosophy contains a promise of a vital philosophical orientation, especially with regard to our understanding of the nature, place, and role of humanity in the larger world. "The Analysis of Wonder" - Hartmann's own definition of philosophy - is an invitation to the readers to challenge their preconceived and self-interested notions of reality in order to relearn to appreciate the always changing and conflicting world, in all of its complexity, richness, and sublimity.
The Phenomenological Movement
The present attempt to introduce the general philosophical reader to the Phenomenological Movement by way of its history has itself a history which is pertinent to its objective. It may suitably be opened by the following excerpts from a review which Herbert W. Schneider of Columbia University, the Head of the Division for International Cultural Cooperation, Department of Cultural Activities of Unesco from 1953 to 56, wrote in 1950 from France: The influence of Husserl has revolutionized continental philosophies, not because his philosophy has become dominant, but because any philosophy now seeks to accommodate itself to, and express itself in, phenomenological method. It is the sine qua non...
New Ways of Ontology
Contemporary philosophy has reasserted the belief that philosophy has practical tasks. This turn reflects an understanding that the life of the individual and the community is not molded merely by personal needs and fortunes but also by the strength of dominant ideas. For Nicolai Hartmann, ideas are spiritual powers belonging to the realm of thought, but thought has its own strict discipline and critique of events. In his view, theory must include within its scope problems of the contemporary world and cooperation in work that needs doing. New Ways of Ontology stands in opposition to the tradition of Heidegger. With deep appreciation of the history of philosophical controversy, Hartmann divi...
The Idealism-Realism Debate Among Edmund Husserl’s Early Followers and Critics
This volume aims to contextualize the development and reception of Husserl’s transcendental-phenomenological idealism by placing him in dialogue with his most important interlocutors – his mentors, peers, and students. Husserl’s “turn” to idealism and the ensuing reaction to Ideas I resulted in a schism between the early members of the phenomenological movement. The division between the realist and the transcendental phenomenologists is often portrayed as a sharp one, with the realists naively and dogmatically rejecting all of Husserl’s written work after the Logical Investigations. However, this understanding of the trajectory of the phenomenological movement ignores the extensi...
Encyclopedia of Ethics
The editors, working with a team of 325 renowned authorities in the field of ethics, have revised, expanded and updated this classic encyclopedia. Along with the addition of 150 new entries, all of the original articles have been newly peer-reviewed and revised, bibliographies have been updated throughout, and the overall design of the work has been enhanced for easier access to cross-references and other reference features. New entries include * Cheating * Dirty hands * Gay ethics * Holocaust * Journalism * Political correctness * and many more.
Aesthetics
The book is the first English translation of Nicolai Hartmann's final book, published in 1953. It will be of value to graduate students in philosophy, scholars concerned with 20th century Continental philosophy, students of aesthetics and art history and criticism, and persons in and out of academic philosophy who wish to develop their aesthetic understanding and responsiveness to art and music. Aesthetics, Hartmann believes, centers on the phenomenon of beauty, and art “objectivates” beauty, but beauty exists only for a prepared observer. Part One explores the act of aesthetic appreciation and its relation to the aesthetic object. It discovers phenomenologically determinable levels of a...
