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This is the extraordinary story of the English poet Randall Swingler, godson of the Archbishop of Canterbury, communist, librettist, publisher, propagandist, poet and war-hero. It is a book about the Second World War and the story of the African and Italian campaigns, recorded uniquely through the eyes of the ordinary soldier. It is a case study of the intellectual consequences of the Cold War in Britain, McCarthyism and Zhdanovism. Croft's retelling of Randall Swingler's life from comfortable childhood and public school through to crushing penury will appeal to cultural, political and literary historians.
Randall Swingler (1909–67) was arguably the most significant and the best-known radical English poet of his generation. A widely published poet, playwright, novelist, editor and critic, his work was set to music by almost all the major British composers of his time. This new biography draws on extensive sources, including the security services files, to present the most detailed account yet of this influential poet, lyricist and activist. A literary entrepreneur, Swingler was founder of radical paperback publishing company Fore Publications, editor of Left Review and Our Time and literary editor of the Daily Worker; later becoming a staff reporter, until the paper was banned in 1941. In th...
This book explores the important role that the Korean War played in Turkish culture and society in the 1950s. Despite the fact that fewer than 15,000 Turkish soldiers served in Korea, this study shows that the Turkish public was exposed to the war in an unprecedented manner, considering the relatively small size of the country’s military contribution. It examines how the Turkish people understood the war and its causes, how propaganda was used to ‘sell’ the war to the public, and the impact of these messages on the Turkish public. Drawing on literary and visual sources, including archival documents, newspapers, protocols of parliamentary sessions, books, poems, plays, memoirs, cartoons...
This book is a historical sociological examination of the formulation and institutionalization of Turkish nationhood during the early Republic (1920-1938). Focusing on the language, education, and citizenship policies advanced during the period, it looks at how the Republican elite situated different ethnic, linguistic, and religious groups.
Nazim Hikmet (1902-1963), the greatest modern Turkish poet was a political prisoner in Turkey for eighteen years and spent the last thirteen years of his life in exile. Banned in his own country for thirty years, his poetry has been translated into more than fifty languages, and today he is recognized world-wide as one of the twentieth century's great international poets. This revised and enlarged selection of his finest work enables us at last to hear, in a single volume, the full range of his distinctive voice in the highly acclaimed versions that have made him an influential presence in contemporary poetry.
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An anthology of British socialist poetry. It starts with William Blake, John Clare, Charles Dickens and Shelley, and ends with Carol Ann Duffy, Benjamin Zephaniah, Jackie Kay and Mr Social Control. Here we have the poetry of the first world war (Isaac Rosenberg, Ivor Gurney); the celebration of revolution (Hugh McDiarmid, D H Lawrence); the hungry thirties (Auden, C Day Lewis and Louis MacNiece); the second world war years (Alun Lewis, Hamish Henderson); new post-war voices (Alex Comfort, Roger McGough); the years of colonial liberation (Adrian Mitchell, James Berry); new voices of black writing (Grace Nichols, Jean Binta Breeze) and the women's movement (Liz Lochhead, Alison Fell); the That...
The Bulgarian writer Nikola Vaptsarov (1909-1942) was one of the most significant European poets of the twentieth-century, a radical Modernist whose work has often been compared to that of Mayakovsky and Lorca. A marine engineer, fireman, fitter, railway-stoker, trade-unionist and a Communist, Vaptsarov was executed during the Second World War for his part in the Bulgarian resistance. He was thirty-three. Although only one book of Vaptsarov's poems, Motor Songs, was published in his life-time, since his death his poetry has been translated into over fifty languages. He wrote a quick, colloquial, concrete, argumentative poetry that transcended the usual idioms of Communist ideology to include cinema, radio, adverts, popular culture and modern technology.