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Ophelia and Victorian Visual Culture
Kimberly Rhodes's interdisciplinary book is the first to explore fully the complicated representational history of Shakespeare's Ophelia during the Victorian period. In nineteenth-century Britain, the shape, function and representation of women's bodies were typically regulated and interpreted by public and private institutions, while emblematic fictional female figures like Ophelia functioned as idealized templates of Victorian womanhood. Rhodes examines the widely disseminated representations of Ophelia, from works by visual artists and writers, to interpretations of her character in contemporary productions of Hamlet, revealing her as a nexus of the struggle for the female body's subjugat...
Ophelia
The study emphasizes the role of the arts and humanities in the re-plotting of gender and also links cultural production to political circumstances, specifically to the end of the Franco dictatorship and the transitional to a new democracy in Spain. The inclusion of both the visual art of Marina Núnez and art photographs as well as literary authors and dramatists offers views of overarching motifs in the cultural production of Spain. The book includes an historical component, with an analysis of works by major nineteenth and early twentieth-century Spanish poets, including Espronceda, Bécquer, Villaspesas, Lorca, and the pioneer female author Blanca de los Rios. The list of writers from the 1970s forward includes both highly recognized figures, Clara Janés, María Victoria Atencia, Eduardo Quiles and an extensive group of important writers less recognized beyond among critics.
Sisters, Seeds, and Cedars
History consists mainly of the milestones, the turning points of time. What are often lost in the fray are the details. Thankfully for those who have a hunger for history, books like Sisters, Seeds, and Cedars exist to fill in some of the gaps of history. The book contains letters from two sisters, Cornelia and Clara. Originally from Alabama, Clara moves on to Arkansas, while Cornelia stays where her roots are. Clara eventually puts down roots of her own, and the sisters' continue to converse through letter writing for their entire lives. The letters span the generations and provide insight into everyday life between 1850-1928. Without them, it might not be known that "a dewlarkie is most li...
Why We Play With Fire
In a thrilling journey of self-discovery and magical intrigue, Thea finds herself transported to a house for the children of gods, where she must retrieve lost keys while navigating secrets, rival schools, and her own doubts, all before the shadow creatures catch up to her. Embark on a spellbinding odyssey of self-discovery, where Thea's extraordinary journey unfolds within a realm of enchantment and peril. Desperate to escape encroaching darkness, Thea is propelled through a mystical well by her mother and grandmother, left only with a cryptic mission to "retrieve the keys." However, her destination defies all expectations as she arrives at an extraordinary haven—a house known as Malachit...
Beauty, Beast, and Belladonna
From the author of Cinderella Six Feet Under, a beauty must solve a beastly murder. Variety hall actress Ophelia Flax knows how to win over an audience. That’s why she’s accepted the marriage proposal of the brutish Comte de Griffe to nettle her occasional investigative partner—and romantic sparring partner—the pompous if dashing Professor Penrose. But with his boorish table manners, wild mane of hair, and habit of prowling away the wee hours, the comte has shredded Ophelia’s last nerve. She intends to disengage from her feral fiancé at his winter hunting party—until Penrose, his lovely new fiancée, and a stagecoach of stranded travelers arrive at the comte’s sprawling château. Soon she can’t tell the boars from the bores. When one of the guests is found clawed and bloody in the orangerie, Ophelia is determined to solve the murder before everyone starts believing the local version of Beauty and the Beast. But until the snows melt, she can’t trust her eyes—or her heart—since even the most civilized people hold beastly secrets...
