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Jewish art has always been with us, but so has a broader canvas of Jewish imaginings: in thought, in emotion, in text, and in ritual practice. Imagining the Jewish God was there in the beginning, as it were, engraved and embedded in the ways Jews lived and responded to their God.This book attempts to give voice to these diverse imaginings of the Jewish God, and offers these collected essays and poems as a living text meant to provoke a substantive and nourishing dialogue. A responsive, living covenant lies at the heart of this book—a covenantal reciprocity that actively engages the dynamics of Jewish thinking and acting in dialogue with God. The contributors to this volume are committed to this form of textual reasoning, even as they all move us beyond the “text” as foundational for the imagined “people of the book.” That people, we submit, lives and breathes in and beyond the texts of poetry, narrative, sacred literature, film, and graphic mediums. We imagine the Jewish people, and the covenant they respond to, as provocative intimations of the divine. The essays in this volume seek to draw these vocal intimations out so that we can all hear their resonant call.
"The Haunting Past is a brief but richly textured treatment of the role of the historian in dealing with information about contemporary political and legal matters."—Libraries and Culture
Narrating Reality offers a provocative and original critique of nineteenth-century British realist fiction and our ways of understanding it. Paying close attention to the role of the narrator, Harry E. Shaw challenges the denigration of realism that has become a critical orthodoxy in recent decades. Drawing on such thinkers as Erich Auerbach, Jürgen Habermas, and J. L. Austin, Shaw contends that realist novels claim not to replicate the world in their pages or to offer transparent access to it, but to involve readers in a process of narrative understanding adequate to grasping the complexities of life in history. Seen in this light, the works of such novelists as Sir Walter Scott, Jane Austen, and George Eliot, as they depict their own and other cultures and strive to imagine regions of freedom in the dense and constricting web of history, gain a new interest.
This splendid introduction to French literature from 842 A.D. to the present decade is the most imaginative single-volume guide to the French literary tradition available in English.
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Elie Wiesel.
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