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The Catherwood Project
The work of Argentine photographer Leandro Katz is presented here in dialogue with the nineteenth-century artist Frederick Catherwood, whose images of Maya ruins have fascinated viewers for more than a century. Catherwood’s daguerreotypes and sketches, originally published to illustrate the travel narratives of John Lloyd Stephens, are among the most accurate depictions of important Maya sites before the advent of modern archaeology. Katz’s photos of the same sites, most of which are previously unpublished, are presented alongside Jesse Lerner’s essay, which explores their connections to the history of archaeology, their resonance in contemporary art, and the evolution of an artist who seamlessly integrates form and content.
Encyclopedia of the Ancient Maya
Encyclopedia of the Ancient Maya offers an A-to-Z overview of the ancient Maya culture from its inception around 3000 BC to the Spanish Conquest after AD 1600. Over two hundred entries written by more than sixty researchers explore subjects ranging from food, clothing, and shelter to the sophisticated calendar and now-deciphered Maya writing system. They bring special attention to environmental concerns and climate variation; fresh understandings of shifting power dynamics and dynasties; and the revelations from emerging field techniques (such as LiDAR remote sensing) and newly explored sites (such as La Corona, Tamchen, and Yaxnohkah). This one-volume reference is an essential companion for students studying ancient civilizations, as well as a perfect resource for those planning to visit the Maya area. Cross-referencing, topical and alphabetical lists of entries, and a comprehensive index help readers find relevant details. Suggestions for further reading conclude each entry, while sidebars profile historical figures who have shaped Maya research. Maps highlight terrain, archaeological sites, language distribution, and more; over fifty photographs complement the volume.
Parallel Worlds
Despite recent developments in epigraphy, ethnopoetics, and the literary investigation of colonial and modern materials, few studies have compared glyphic texts and historic Maya literatures. Parallel Worlds examines Maya writing and literary traditions from the Classic period until today, revealing remarkable continuities across time. In this volume, contributions from leading scholars in Maya literary studies examine Maya discourse from Classic period hieroglyphic inscriptions to contemporary spoken narratives, focusing on parallelism to unite the literature historically. Contributors take an ethnopoetic approach, examining literary and verbal arts from a historical perspective, acknowledg...
Early Scholars' Visits to Central America
This volume presents translations of essays by three German scholars - Karl Sapper, Walter Lehmann, and Franz Termer - who were preeminent in the social and natural science study of Central America in the early part of the twentieth century. Their research areas included ethnology, archaeology, geography, linguistics, and epigraphy.
Corpus of Maya Hieroglyphic Inscriptions, Volume 10: Part 1: Cotzumalhuapa
Oswaldo Chinchilla Mazariegos presents the first of four volumes on the site of Cotzumalhuapa in Guatemala. The book describes the site and history of exploration at one of the major Late Classic cities of Mesoamerica, as well as the city's interchange and cultural overlaps with the lowland Maya region.
Art and Myth of the Ancient Maya
This nuanced account explores Maya mythology through the lens of art, text, and culture. It offers an important reexamination of the mid-16th-century Popol Vuh, long considered an authoritative text, which is better understood as one among many crucial sources for the interpretation of ancient Maya art and myth. Using materials gathered across Mesoamerica, Oswaldo Chinchilla Mazariegos bridges the gap between written texts and artistic representations, identifying key mythical subjects and uncovering their variations in narratives and visual depictions. Central characters—including a secluded young goddess, a malevolent grandmother, a dead father, and the young gods who became the sun and the moon—are identified in pottery, sculpture, mural painting, and hieroglyphic inscriptions. Highlighting such previously overlooked topics as sexuality and generational struggles, this beautifully illustrated book paves the way for a new understanding of Maya myths and their lavish expression in ancient art.
