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Cultural Approaches to Disgust and the Visceral
This edited volume traces cultural appearances of disgust and investigates the varied forms and functions disgust takes and is given in both established and vernacular cultural practices. Contributors focus on the socio-cultural creation, consumption, reception, and experience of disgust, a visceral emotion whose cultural situatedness and circulation has historically been overlooked in academic scholarship. Chapters challenge and supplement the biological understanding of disgust as a danger reaction and as a base emotion evoked by the lower senses, touch, taste and smell, through a wealth of original case studies in which disgust is analyzed in its aesthetic qualities, and in its cultural and artistic appearances and uses, featuring visual and aural media. Because it is interdisciplinary, the book will be of interest to scholars in a wide range of fields, including visual studies, philosophy, aesthetics, sociology, history, literature, and musicology. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
Feminist Activism in the Digital Era
Focusing on various regions, this collection highlights a rich diversity of feminist activism. The ways feminist movements work, the tools they use, and the outcomes they achieve vary with local dynamics and cultural contexts. In Pakistan, digital activists resist gender-based violence through social media, while in Mexico, protests against femicide resonate globally through digital platforms. In Turkey, feminist video activism builds collective memory, and in Poland, women organize online against abortion bans. This diversity showcases the adaptability, creative strategies, and evolution of feminist movements as they navigate opportunities in the digital age. Feminist activism expresses itself in different voices and methods of resistance across regions, yet all these variations underline a global unity in the fight for equality. This collection demonstrates the expansive, dynamic nature of feminist movements worldwide and examines how local and global struggles intersect.
Film Criticism in the Digital Age
Over the past decade, as digital media has expanded and print outlets have declined, pundits have bemoaned a “crisis of criticism” and mourned the “death of the critic.” Now that well-paying jobs in film criticism have largely evaporated, while blogs, message boards, and social media have given new meaning to the saying that “everyone’s a critic,” urgent questions have emerged about the status and purpose of film criticism in the twenty-first century. In Film Criticism in the Digital Age, ten scholars from across the globe come together to consider whether we are witnessing the extinction of serious film criticism or seeing the start of its rebirth in a new form. Drawing from a...
Inside the World of Harry Potter
Many scholars recognize the importance of Harry Potter as a vehicle for discussions about society--from race relations and gender studies to economic, political, religious and educational applications of the texts. This interdisciplinary collection of new essays brings to the forefront a critique of modern Western society, using Harry's world as a mirror to our own. Covering issues surrounding parenting and family relations, social class, life and death, the link between identity and morality and even the risks of time travel, this collection provides many jumping-off points for scholars and nonscholars alike to spark discussions about both Harry's world and our own.
Filming Death
Examines the narratives documentary films construct and mediate about death and dying
The Hemingway Review
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Hiidenkivi
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Poetics for the Gospels?
Poetics is the study of the making of literary works of art. In gospel studies, in contrast to the dominant historical-critical paradigm, poetics regard the gospels as literature. This approach is associated with a particular methodological movement: narrative criticism. Petri Merenlahti argues that poetics offer a vital critical tool to interpreters of the gospels. But the approach must necessarily be historical, recognising that perceptions of literary form and value are not fixed, but evolve and develop from one time and culture to another. Far from being neutral, these perceptions are integrally connected with ways of perceiving reality that reflect particular interests in human societies. Through methodological discussion and detailed analyses of gospel narratives, this book introduces a comprehensive programme of historical poetics for gospel studies.
Rhetoric of Modern Death in American Living Dead Films
Zombies, vampires, and mummies are frequent stars of American horror films. But what does their cinematic omnipresence and audiences’ hunger for such films tell us about American views of death? Here, Outi Hakola investigates the ways in which American living-dead films have addressed death through different narrative and rhetorical solutions during the twentieth century. She focuses on films from the 1930s, including Dracula, The Mummy, and White Zombie, films of the 1950s and 1960s such as Night of the Living Dead and The Return of Dracula, and more recent fare like Bram Stoker’s Dracula, The Mummy, and Resident Evil. Ultimately, the book succeeds in framing the tradition of living dead films, discussing the cinematic processes of addressing the films’ viewers, and analyzing the films’ socio-cultural negotiation with death in this specific genre.
