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A Man Called Destruction
The first biography of the artist who “essentially invented indie and alternative rock” (Spin) A brilliant and influential songwriter, vocalist, and guitarist, the charismatic Alex Chilton was more than a rock star—he was a true cult icon. Awardwinning music writer Holly George-Warren’s A Man Called Destruction is the first biography of this enigmatic artist, who died in 2010. Covering Chilton’s life from his early work with the charttopping Box Tops and the seminal power-pop band Big Star to his experiments with punk and roots music and his sprawling solo career, A Man Called Destruction is the story of a musical icon and a richly detailed chronicle of pop music’s evolution, from the mid-1960s through today’s indie rock.
Beatniks
This is a revealing look at the events and personalities that defined the Beat Generation, drawing on over three decades of research. Beatniks: A Guide to an American Subculture gets readers past the caricature of the "beatnik" as a goateed, beret-wearing, bongo-playing poseur, drawing on extensive research to show just how profound an impact the beats had on American culture, politics, and literature. Beatniks conveys the complexity, influences, events, and places that shaped the Beat Generation from the late 1940s to the cusp of the 1960s. The book also features a series of essays on specific aspects of the subculture, as well as interviews with Beat Generation luminaries like Allen Ginsberg, Ann Charters, Roy Harper and Michael McClure. Throughout, readers will meet an extraordinary gallery of people both famous—Jack Kerouac, William Burroughs, Neal Cassady—and lesser known but no less fascinating, including Kenneth Patchen, Lord Buckley, Mort Sahl, Jack Micheline, Lew Welch, Joan Vollmer Adams, and Lenore Kandel. Also included is a detailed glossary with the origins and meanings of the beat lingo.
Everything is an Afterthought
What happened to Paul Nelson? In the '60s, he pioneered rock & roll criticism with a first-person style of writing that would later be popularized by the likes of Tom Wolfe and Norman Mailer as “New Journalism.” As co-founding editor of The Little Sandy Review and managing editor of Sing Out!, he’d already established himself, to use his friend Bob Dylan’s words, as “a folk-music scholar”; but when Dylan went electric in 1965, Nelson went with him. During a five-year detour at Mercury Records in the early 1970s, Nelson signed the New York Dolls to their first recording contract, then settled back down to writing criticism at Rolling Stone as the last in a great tradition of recor...
Hi Fi/stereo Review
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Sound & Vision
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House documents
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CD Review Digest
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Parents Aren't Supposed to Like it
Profiles over 100 contemporary musicians and bands in the categories of alternative rock, rap, folk music, and others.
Hootie
This is the story of the pop group Hootie and the Blowfish, detailing their blend of pop and rhythm and blues. The book takes the reader on a ride into the rock culture of the 1990s, describing the band's major US tours, and other pop bands such as R.E.M., U2, and the dBs.
