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This volume addresses the nature and identity of recipes from a cross-disciplinary perspective. Contributors study the values and norms guiding the naming, production, and consumption of recipes, scrutinizing their relationship to territory, makers, eaters, and places of production. Along the road, they uncover the multifaceted conceptual and value-laden questions that a study of recipes raises regarding cultural appropriation and the interplay between aesthetics and ethics in recipe making. With contributors specializing in philosophy, law, anthropology, sociology, history, and other disciplines, this volume will be of vital importance for those looking to understand the complex nature of food and the way recipes have shaped culinary cultures throughout history.
This book provides original descriptive accounts of two schools of thought in the philosophy of beauty: the 20th-century “Anti-Aesthetic” movement and the 21st-century “Beauty Revival” movement. It also includes a positive defence of beauty as a lived experience extrapolated from Beauty-Revival position. Beauty was traditionally understood in the broadest sense as a notion that engages our sense perception and embraces everything evoked by that perception, including mental products and affective states. This book constructs and places in parallel with one another the Anti-Aesthetic and Beauty-Revival movements. In the author’s view, Anti-Aestheticism is devoted to a decisive negati...
Bringing together the latest research and perspectives in the fields of analytic philosophy and theater studies, this collection of essays provides a reflection of how these two fields have emerged and intersected in the twenty-first century. With contributions from leading scholars in the field and emerging voices, Philosophy, Analytic Aesthetics, and Theater provides new insights into the field of philosophy and theater. Structured in three parts, Part I, "Epistemology," explores perspectives on theater as a knowledge-making system, the conventions of theater, and reflects on current practice that engages with aesthetics. Part II, "Politics and Ethics," draws on an evaluation of the ways i...
Challenging existing methodological conceptions of the analytic approach to aesthetics, Jukka Mikkonen brings together philosophy, literary studies and cognitive psychology to offer a new theory on the cognitive value of reading fiction. Philosophy, Literature and Understanding defends the epistemic significance of narratives, arguing that it should be explained in terms of understanding rather than knowledge. Mikkonen formulates understanding as a cognitive process, which he connects to narrative imagining in order to assert that narrative is a central tool for communicating understanding. Demonstrating the effects that literary works have on their readers, he examines academic critical analysis, responses of the reading public and nonfictional writings that include autobiographical testimony to their writer's influences and attitudes to life. In doing so, he provides empirical evidence of the cognitive benefits of literature and of how readers demonstrate the growth of their understanding. By drawing on the written testimony of the reader, this book is an important intervention into debates on the value of literature that incorporates understanding in new and imaginative ways.
The Routledge History of the Senses presents readers with an overview of the field. As well as pointing to directions for the future of the discipline, it illustrates the extent to which the subject offers a considerable space for the exploration of diverse historical topics through the lens of sensory experience. The handbook brings together essays and case studies from some of the leading academics on the history of the senses. Together, they not only chart topics and arguments in existing scholarship but introduce fresh methodologies for future analyses. Specifically, the chapters collectively show that the senses of the historical body often portray the intensity of the invasion of capit...
Carefully considering the difference in the philosophical potential of page poetry and performance poetry, Karen Simecek argues that it is only by considering them side by side that the unique cognitive value of each can be realised. Focusing on spoken word poetry reveals the importance of voice and embodied words to the differing epistemic rewards of engaging with contemporary works of poetry in both private reading and live performance. This concept of embodied voice progresses a new line of thinking in the cognitivism debate and unlocks the philosophical value of engaging with poetry. Simecek's discussion of performed poetry also advances discussions of affect and experience in contempora...
How do we engage with food through memory and imagination? This expansive volume spans time and space to illustrate how, through food, people have engaged with the past, the future, and their alternative presents. Beth M. Forrest and Greg de St. Maurice have brought together first-class contributions, from both established and up-and-coming scholars, to consider how imagination and memory intertwine and sometimes diverge. Chapters draw on cases around the world-including Iran, Italy, Japan, Kenya, and the US-and include topics such as national identity, food insecurity, and the phenomenon of knowledge. Contributions represent a range of disciplines, including anthropology, history, philosophy, psychology, and sociology. This volume is a veritable feast for the contemporary food studies scholar.
總編輯的話 2023 年底COP28 在杜拜舉行,各國元首、政府官員、學者齊聚一堂開會,為了符合2015年《巴黎協定》在本世紀末氣溫增幅1.5℃內的目標,會議期間首次倡導Vegan飲食,提供1.5℃菜單(1.5℃-aligned Menu),每天25萬份餐點至少三分之二為無肉的蔬食選擇,展現出在符合低碳排友善環境的同時,超過九十家的餐廳、餐車攤位如何創造出更美味的食物。減少肉類攝取降低排碳量,為地球降溫的有效方法之一,餐廳提供蔬食不只是餐飲趨勢,多吃蔬食,更是愛護地球最簡單的方式。與本期特約主編郭華仁教授相識於與普橘島合辦的小米餐會,郭教授個人臉書長期關心環境永續與食農教育,就像是宮崎駿裡走出來的人物,親切和藹又仰之彌高的傲人風骨。 十月份,中華飲食文化基金會也將在京都大學舉辦「永續飲食文化的比較研究」學術研討會,或許我們不能改變全世界,但正在讀料理台灣的你可以透過每日「吃」的選擇來改變世界! 陳怡伶
This book presents new research on the crucial role that imagination plays in contemporary philosophy of fiction. The first part of the book challenges the main paradigm set by Kendall Walton and Gregory Currie, according to which there is a necessary connection between fiction and a prescription that we engage imaginatively with its content. The contributors address the fundamental questions of how we can define fiction, and especially whether we can define fiction in terms of imagination. The second part focuses on a distinct but related question: can we point to some distinctive experiential features of our engagement with fiction? In the third part, the focus lies on the cognitive value ...
Naturliche Bestimmung versus Enhancement des Menschen? Paradigmatisch fur die moderne philosophische Anthropologie sind, zumindest im deutschsprachigen Raum, noch immer die Werke von Max Scheler, Helmuth Plessner und Arnold Gehlen aus den 1920er Jahren - aber auch die mit ihnen verbundenen Folgelasten: (1) Voraussetzung fur den Versuch einer Wesensbestimmung des Menschen ist die Annahme anthropologischer Konstanten, d.h. die Ansicht, dass sich allgemeine Eigenschaften, Verhaltens- und Erfahrensweisen bestimmen lassen, die allen Menschen als Menschen zukommen. Angesichts der Tatsache, dass der Mensch immer nur in bestimmter historischer und kultureller Gestalt erscheint, selbst schon eine fra...