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DATAPOLIS looks into the materiality of data, its inherent ethical and political contradictions as well as cultural and environmental footprints, by following two main trajectories: the first one attempts to define what ‘the cloud’ is and how it operates. From the systems and infrastructures behind the Internet to the apparatus, gizmos and buildings that can transcend scales and temporal dimensions. The second one explores how data penetrates our existence, not only by affecting the ways we live and work, or design and make cities, but by offering distinct ways of life and organization that otherwise would not have been possible. Through various visual and textual materials, this book speculates on the ways in which architecture can engage with data and digital technology beyond its mere instrumental use in making (smart) cities. DATAPOLIS is edited by Paul Cournet and Negar Sanaan Bensi. With contributions by Kees Kaan, Kate Crawford, Shannon Mattern, Ruha Benjamin, Marina Otero Verzier and Joost Grootens a.o. The most complete version of this work was published in 2023 by nai010.
Jim Ottewill’s exploration of UK club culture and the urban landscapes that have housed it returns in a newly remixed form. Out of Space plots a course through the different UK towns and cities where club culture has found a home. From Glasgow to Margate via Manchester, Sheffield and unlikely dance music meccas such as Coalville and Todmorden, this book maps where electronic music has thrived, and where it might be headed next. This extended version features a new chapter exploring hidden histories and untold stories within Birmingham’s nocturnal scene to provide more insights into the past, present and future of electronic music culture.
目錄列表 ______________________________________________________________ Introduction 【「義」猶未盡——當我們談義大利設計時,談些什麽? 】 ● 怎麽談:義大利設計現實 ● 設計思考也需要永續 Chapter 1 【品牌】 Brands 1 - Alessi 被餐具耽誤的家居品牌 2 - Gufram 從博物館回到居家 3 - Magis 騾子精神,不胡亂製造噪音 4 - Qeeboo 網店起家的新世紀玩味主義 5 - Seletti 你有可愛,我有流俗 6 - Cassina 應有盡有,持續擴展 7 - Zanotta 蠢蠢欲動的「第二春」 8 - Moroso 永續中的「花樣百出」 9 - Memphis 您還記得孟菲斯嗎? 10 - Meritalia 義大利設計業的「革命軍」 1...
「捲」了,還是「倦」了? 米蘭家具展,一般周二到周日。 但主會場外的「米蘭設計周」卻逐漸地提前到周一、周日,甚至上周六便開始啓動——雖然這看似乃爲了方便媒體預覽,但對於設計區域越來越大,展覽單位越來越多時,或許這并非壞事。特別是這將意味著「趕場」的時間將被拉長,進而能逛更多的展。對不? 然而問題是,「報復性」的觀展現象已造成有些展覽(而且還不是知名的大展)的排隊時間已超越大部分人的忍耐極限——對我而言,「合理」的話,等待時間應該就像一部電影開場前的預告片,約 15-20 分鐘...
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