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On a considered whim writer Karin Cronje packs up her life and flies across the world to teach English in a small Korean village. The result is a poignant, heart-achingly funny, scandalous, and deeply moving account of incomprehension, awe, dislocation, belonging, the sticky business of identity and the loss of it, sanity, and the loss of that. Characters like Dae-ho, her guru man, who reminds her to breathe; dazzling Mae and her bar, Goldfinger; Leona with her rattle snake tongue, and all the others she cant understand are now the people in her life. Back home is her son who has fallen in with a suspect character and her friends who now seem like dung beetles each rolling their own ball of muck. They, together with the tip of the African continent, are about to disappear into the sea. She has only herself. And that sure as hell feels inadequate. With her inimitable voice Karin Cronje shocks and delights as she digs deeply into the full catastrophe of being human.
In 1969, five players from a powerhouse high school soccer program enroll at Bainbridge University, where football is everything and soccer has only just become a varsity sport. Worse yet, the coach has never played the game, the upcoming schedule is a killer, and the Bainbridge team has only won two games in the past year. Life is about to become very challenging for these freshman used to being winners. Andrew Paxton, a captain of the former high school soccer team, is now sharing a dorm room with his best friend and star teammate, Brian Barrett. But trouble soon brews when Barrett clashes with the coach and members of the football team. Paxton, ever loyal to his best friend, has his own s...
Including 'Automobile buyers' reference.'
An A-to-Z treasury of dumb, disastrous, and hard-to-believe human behavior from the New York Times-bestselling author of Stupid History! * A doctor's actual diagnostic notation: The patient is married but sexually active. * "Shooting Reported at Firing Range" — The State, Columbia, South Carolina, August 4, 2006 * Arrested for public urination in Bowling Green, Ohio: Mr. Joshua Pees. — The Sentinel-Tribune, Bowling Green, Ohio, September 5, 2001 From absurd 911 calls to presidential philosophizing and foolish felons, Leland Gregory generates the best laughs by exposing the worst of human nature. This best-of collection features fifty percent new material and fifty percent fan favorites, arranged alphabetically by topic. And because the stories Gregory chronicles are just that unbelievable, each anecdote, quote, or factoid is presented with relevant background information, including its verified news source.
In the early days of television, many of its actors, writers, producers and directors came from radio. This crossover endowed the American Radio Archives with a treasure trove of television documents. The collected scripts span more than 40 years of American television history, from live broadcasts of the 1940s to the late 1980s. They also cover the entire spectrum of television entertainment programming, including comedies, soap operas, dramas, westerns, and crime series. The archives cover nearly 1,200 programs represented by more than 6,000 individual scripts. Includes an index of personal names, program and episode titles and production companies, as well as a glossary of industry terms.
The Stranglers occupy a paradoxical position within the history of popular music. Although major artists within the punk and new-wave movements, their contribution to those genres has been effectively quarantined by subsequent critical and historical analyses. They are somehow "outside" the realm of what responsible accounts of the period consider to be worthy of chronicling. Why is this so? Certainly The Stranglers' seedy and intimidating demeanor, and well-deserved reputation for misogyny and violence, offer a superficial explanation for their cultural excommunication. However, this landmark work suggests that the unsettling aura that permeated the group and their music had much more profound origins; ones that continue to have disturbing implications even today. The Stranglers, it argues, continue to be marginalised because, whether by accident or design, they brought to the fore the underlying issues of identity, status and structure that must by necessity be hidden from society's conscious awareness. For this, they would not be forgiven.
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