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Since its launch in 1987, the History of Cartography series has garnered critical acclaim and sparked a new generation of interdisciplinary scholarship. Cartography in the European Enlightenment, the highly anticipated fourth volume, offers a comprehensive overview of the cartographic practices of Europeans, Russians, and the Ottomans, both at home and in overseas territories, from 1650 to 1800. The social and intellectual changes that swept Enlightenment Europe also transformed many of its mapmaking practices. A new emphasis on geometric principles gave rise to improved tools for measuring and mapping the world, even as large-scale cartographic projects became possible under the aegis of po...
The untold story of how the Dutch conquered the European book market and became the world's greatest bibliophiles--"an instant classic on Dutch book history" (BMGN - Low Countries Historical Review) "[An] excellent contribution to book history."--Robert Darnton, New York Review of Books The Dutch Golden Age has long been seen as the age of Rembrandt and Vermeer, whose paintings captured the public imagination and came to represent the marvel that was the Dutch Republic. Yet there is another, largely overlooked marvel in the Dutch world of the seventeenth century: books. In this fascinating account, Andrew Pettegree and Arthur der Weduwen show how the Dutch produced many more books than pictu...
An art collector who was a patient at the Amsterdam Medical Center once expressed his gratitude with a donation of several works of art, the seed for the extraordinary modern art collection that now flourishes at the Amsterdam Medical Center. Since it began seriously cultivating its art collection in the 1980s, the Center has amassed approximately 5,000 works by Dutch and Dutch-resident artists. The Amsterdam Medical Center Art Book is an extraordinary showcase of the Center’s rich and diverse collection, which focuses on Dutch art from the 1950s through the 1970s. The book highlights several stunning examples within the collection of such benchmark art movements as CoBrA, Mixed Media Art, Zero Art, and New Figuration. Other fascinating pieces featured in the book were created by artists-in-residence, who were allowed to draw from live scenes in the Center’s operating theater and maternity ward. This volume ultimately presents a fascinating survey of Dutch post-war art, with over 100 vibrant color illustrations that include works by Eugene Brands, Karel Appel, Constant, Marc Mulders, Roy Villevoye, and Marlene Dumas.
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IAU Transactions XXIIB summarizes the work of the XXIInd General Assembly. The discourses given during the Inaugural and Closing Ceremonies are reproduced in Chapters I and III, respectively. The proceedings of the two sessions of the General Assembly will be found in Chapter II, which includes the Resolutions and the report of the Finance Committee. The Statutes, Bye-Laws and a few working rules of the Union are published in Chapter IV. The Accounts and other aspects of the administration of the Union are recorded in Chapter V, together with the report of the Executive Committee for this last triennium, and provide the permanent record for the Union in the period 1991-1994. This volume also contains the Commission reports from The Hague compiled by the Presidents of the Commissions (Chapter VI). Finally, Chapter VII contains the list of countries adhering to the Union and the alphabetical, geographical and commission membership lists of about 8000 individual members. The IAU still appears to be unique among the scientific Unions in maintaining this category of individual membership which contributes in a crucial way to the spirit and the aims of the Union.
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