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From City Space to Cyberspace
The narrative of the birth of internet culture often focuses on the achievements of American entrepreneurs in Silicon Valley, but there is an alternative history of internet pioneers in Europe who developed their own model of network culture in the early 1990s. Drawing from their experiences in the leftist and anarchist movements of the ’80s, they built DIY networks that give us a glimpse into what internet culture could have been if it were in the hands of squatters, hackers, punks, artists, and activists. In the Dutch scene, the early internet was intimately tied to the aesthetics and politics of squatting. Untethered from profit motives, these artists and activists aimed to create a decentralized tool that would democratize culture and promote open and free exchange of information.
Non-biomedical Perspectives on Pain and its Prevention and Management
Overreliance on the biomedical paradigm has contributed, in part, to illogical use of surgery and long-term opioid medication with harmful physical, psychological, social, and economic consequences. Pain literature is dominated by biomedical research at the expense of a holistic understanding of the lived experience of pain. Pain practice seems overly consumed with the burden of pain at an individual level (patient-centred pain management) and has neglected exploration of societal level (community-centred) or environmental level (ecologically-centred) solutions.
A Short History of Dutch Video Art
Overzicht van de rol van migrantenkunstenaars in de Nederlandse videokunst van de afgelopen dertig jaar.
日本研究のための参考図書
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Explorations of art from beyond the fringe
Met aandacht voor de volgende thema's: 1978 - theater, 1979 - audio-visueel, 1980 - dans en sculptuur/architectuur, 1981 - design, 1982 - tooi, 1983 - sculptuur, 1984 - Forum en scene, 1986 - architectuur als imaginaire werkelijkheid, 1987 - de kunstenaar en zijn criticus.
Art Journal
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